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Sennheiser e 835 - Live Vocal Microphone
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Sennheiser e 835

description Sennheiser e 835 Overview

The Sennheiser e835 is a professional dynamic vocal microphone valued for its clarity and reliability in demanding environments. Originally released in 1978, this German-engineered microphone utilizes a large diaphragm to capture vocals with precision. It’s commonly used by singers, broadcasters, and live sound engineers seeking a robust tool for stage performances and studio recordings where feedback reduction is important.

balance Sennheiser e 835 Pros & Cons

thumb_up Pros
  • check Clear vocal reproduction
  • check Excellent feedback rejection
  • check Durable metal construction
  • check Low handling noise
thumb_down Cons
  • close Less detailed than condensers
  • close Pronounced proximity effect
  • close Needs close microphone technique

help Sennheiser e 835 FAQ

When was the Sennheiser e835 microphone originally released?

This German-engineered microphone was originally released in 1978 and has remained an industry standard for decades. Its longevity in the market is a testament to its clarity and reliability in demanding live environments.

Is the Sennheiser e835 a dynamic or condenser microphone?

The e835 is a professional dynamic vocal microphone, meaning it does not require 48V phantom power to operate. It uses a large diaphragm to capture vocals with precision while maintaining a rugged build for stage use.

How does the Sennheiser e835 compare to the Shure SM58?

While both are industry-standard dynamic vocal mics, singers commonly note that the e835 has a brighter, more detailed high-end compared to the darker tone of the Shure SM58. The Sennheiser also offers a slightly tighter cardioid pattern to reject stage noise.

What type of environments is the Sennheiser e835 best suited for?

It is most commonly used by singers and public speakers in live concert settings and demanding touring environments. Its high-quality feedback rejection makes it highly effective on loud stages with floor monitors.

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