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Tangokönigin

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description Tangokönigin Overview

Tangokönigin is an operetta by Franz Lehár, with a libretto by Julius Brammer and Alfred Grünwald. First associated with 1921, it represents a Viennese stage work built around dance, romantic relationships, and the tango, reflecting the popularity of Latin-influenced ballroom styles in interwar entertainment. The piece is also connected with a revision of Lehár’s earlier operetta Der Göttergatte.

help Tangokönigin FAQ

Who wrote Tangokönigin and when was it first associated with the stage?

Tangokönigin is an operetta by Franz Lehár, with a libretto by Julius Brammer and Alfred Grünwald. It is associated with 1921 and reflects the period's enthusiasm for tango and Latin-influenced ballroom dance.

What is Tangokönigin about?

The work centers on romantic relationships, social performance, and the fashionable tango culture of its era. Like many Viennese operettas, it combines spoken or dramatic scenes with songs, dance, and comic romantic complications.

Is Tangokönigin a traditional Viennese waltz operetta?

It belongs to the Viennese operetta tradition, but its identity is especially tied to the tango rather than only to the waltz. That dance focus places it within the early 1920s fascination with Latin-American ballroom styles.

Who are the main creative names to look for in a Tangokönigin recording or production?

The key names are composer Franz Lehár and librettists Julius Brammer and Alfred Grünwald. A modern recording may use different singers and conductors, so the cast and edition should be checked separately.

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