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Bestia - Short Film
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Bestia

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Bestia is a 2021 Chilean stop-motion animated short film directed by Hugo Covarrubias. Its fictionalized central character is inspired by Ingrid Olderock, an agent of Chile's DINA secret police during the military dictatorship, and the film enters her inner life through disturbing dreams, memories, and domestic routines. Porcelain-like puppets and restrained settings create an intentionally cold psychological portrait rather than a conventional historical account. The film was nominated for the Academy Award for Best Animated Short Film.

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What is the Chilean short film Bestia about?

"Bestia" is a stop-motion animated short film that portrays the life of Ingrid Olderock, a real-life agent of the DINA, the secret police of former Chilean dictator Augusto Pinochet. The film explores her mundane daily life alongside her horrific work as a torturer and her relationship with her dog. It serves as a chilling psychological portrait of a perpetrator of state terrorism.

Who directed the short film Bestia?

The film was directed by Chilean filmmaker Hugo Covarrubias and co-written with Gabriela Cabello. Released in 2021, the short uses a distinct, unsettling stop-motion animation style to convey its dark themes. Covarrubias meticulously crafted the film to reflect the oppressive atmosphere of the Pinochet regime.

Did Bestia win an Oscar?

While it did not win, "Bestia" was nominated for the Academy Award for Best Animated Short Film at the 94th Academy Awards in 2022. It was heavily favored on the festival circuit and won numerous other prestigious international awards. Ultimately, the Oscar went to "The Windshield Wiper."

What animation style does Bestia use?

"Bestia" utilizes intricate stop-motion animation to bring its disturbing narrative to life. The film heavily relies on 2D papercraft and 3D claymation techniques to represent the split nature of the protagonist's reality. This medium allows the director to visually express the dissociation and psychological darkness of the protagonist.

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