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Black Sabbath - Sabotage

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description Black Sabbath - Sabotage Overview

Released in July 1975, "Sabotage" is the sixth studio album by the English heavy metal band Black Sabbath. The album's title directly reflects the band's ongoing frustrations and financial disputes with their former management and record labels. It is distinguished by its complex musical structures, moving beyond standard heavy metal to include orchestral choirs, synthesizers, and progressive rock elements. The track "Symptom of the Universe" is often cited by music historians as an early precursor to the thrash metal genre due to its fast-paced, aggressive guitar riffs.

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When was Black Sabbath's "Sabotage" released?

"Sabotage" is the sixth studio album by the British heavy metal band Black Sabbath, released in July 1975. It arrived during a highly productive and creatively dark period for the band.

Why did Black Sabbath name their 1975 album "Sabotage"?

The title reflects the band's immense frustration with ongoing legal battles, particularly with their former manager Patrick Meehan. The band felt "sabotaged" by the music industry and the lawsuits that were draining their finances and creativity.

Does the album "Sabotage" feature any non-traditional Black Sabbath instruments?

Yes, the album is notable for incorporating orchestral arrangements and choirs, most prominently on the track "Supertzar." This gave the heavy, guitar-driven riffs of Tony Iommi a massive, symphonic backing.

What are some of the standout tracks on Black Sabbath's "Sabotage"?

Alongside the symphonic "Supertzar," the album features fan favorites like the aggressive opener "Hole in the Sky" and the multi-part epic "The Writ." "Symptom of the Universe" is also highly regarded as a precursor to the thrash metal genre.

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