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Electro-Voice RE320 - Microphone
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Electro-Voice RE320

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description Electro-Voice RE320 Overview

The Electro-Voice RE320 is a versatile broadcast microphone known for its clarity, warmth, and excellent off-axis rejection. Its variable-D directivity allows for tailoring the pickup pattern to suit different acoustic environments. The RE320's robust construction and shock mount ensure reliable performance even in demanding broadcast situations. It's a great all-around choice for radio announcers, podcasters, and voice-over artists seeking a professional sound.

insights Ranking position

Electro-Voice RE320 ranks #11 of 102 in the Microphone ranking, behind Rode NT1 5th Generation, ahead of HEIL Sound PR 40.

balance Electro-Voice RE320 Pros & Cons

thumb_up Pros
  • check Clear warm tone
  • check Off-axis rejection
  • check Low handling noise
  • check Broadcast-friendly versatility
thumb_down Cons
  • close Requires quality preamp
  • close Higher price
  • close Not pocket-sized

help Electro-Voice RE320 FAQ

Is the Electro-Voice RE320 a dynamic or condenser microphone?

The RE320 is a dynamic cardioid microphone, so it does not require phantom power like a condenser. It connects over XLR and is commonly used for broadcast voice, podcasting, instruments, and kick drum.

What does the RE320's voice and kick switch do?

The RE320 has a two-position response switch: one setting is shaped for voice and general instrument use, and the other is tailored for kick drum. That makes it more flexible than many single-voicing broadcast dynamics.

How is the RE320 related to the Electro-Voice RE20?

The RE320 is part of the same Electro-Voice broadcast family and uses Variable-D design principles to control proximity effect. The RE20 is the older broadcast classic from 1968, while the RE320 is usually the lower-cost modern sibling.

Does the Electro-Voice RE320 need a lot of gain?

It needs a decent audio interface or preamp because it is a dynamic XLR microphone, but it is generally easier to drive than some very low-output broadcast mics. Many podcasters still pair it with interfaces from Focusrite, Audient, or Rode rather than using USB directly.

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