Fantasma

"Fantasma" was released in 1997 by Japanese musician and producer Keigo Oyamada, who records under the stage name Cornelius. The record was his first major release on the American indie label Matador Records.

The album is an eclectic, sample-driven work that heavily incorporates elements of indie pop, electronica, and 1960s psychedelia. It is often compared to the dense, maximalist sonic collages created by artists like Beck or The Beach Boys.

Yes, the album was released internationally by the American label Matador Records, helping Cornelius gain significant recognition in Western markets. This international exposure established him as a leading figure in the global indie electronic scene.

"Fantasma" is known for its maximalist, heavily layered sampling, which sharply contrasts with his later, more minimalist work. His 2001 follow-up album "Point" deliberately moved away from this chaotic aesthetic toward a highly precise, environmental electronic sound.