description Gloria (Poulenc) Overview
Francis Poulenc's Gloria is a six-movement sacred work for soprano soloist, mixed chorus, and orchestra, composed in 1959 and 1960. Commissioned by the Koussevitzky Music Foundation, it sets the Latin Gloria from the Roman Catholic Mass and received its first performance in Boston in 1961. The music alternates solemn, lyrical passages with lively rhythms and sharply articulated choral writing, requiring a concert choir, an accomplished soprano, and a full orchestral ensemble.
help Gloria (Poulenc) FAQ
Why does Poulenc's Gloria sometimes sound playful?
Poulenc mixes solemn sacred writing with bright rhythms, sudden contrasts, and music that can sound humorous or theatrical. He reportedly connected this character with lively religious images and the behavior of Benedictine monks he had observed.
What forces are required to perform Poulenc's Gloria?
The work is scored for soprano soloist, mixed chorus, and orchestra. Its six movements alternate between exuberant choral writing and more reflective passages featuring the solo soprano.
Who gave the first performance of Poulenc's Gloria?
The premiere took place in Boston in 1961 with the Boston Symphony Orchestra and Chorus conducted by Charles Munch. Adele Addison was the soprano soloist.
How does Poulenc's Gloria relate to the Catholic Mass?
It sets the Gloria in excelsis Deo text from the Mass rather than presenting an entire Mass setting. Poulenc divides the Latin text into six contrasting movements, ending with "Qui sedes ad dexteram Patris."
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