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Jean-Baptiste Thierrée - Mime
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Jean-Baptiste Thierrée

description Jean-Baptiste Thierrée Overview

Jean-Baptiste Thierrée is a French actor, director, and circus artist known for his foundational contributions to the contemporary circus movement. He co-founded Cirque Imaginaire alongside his wife, Victoria Chaplin, creating a distinct style of small-scale, theatrical circus performance. Their work integrates elements of mime, magic, clowning, and illusion in an intimate, poetic format rather than relying on traditional large-scale acrobatic spectacles. The productions are designed for audiences seeking avant-garde, character-driven stage performances rather than standard circus shows.

help Jean-Baptiste Thierrée FAQ

What is Jean-Baptiste Thierrée known for in modern circus?

He helped develop the French nouveau cirque movement by replacing the conventional big-circus format with intimate, theatrical mixtures of mime, magic, objects, and physical comedy. His early Cirque Bonjour appeared at the Festival d'Avignon in 1971 with Victoria Chaplin. [Theatre du Rond-Point](https://www.theatredurondpoint.fr/fr/personnalites/jean-baptiste-thierree-thierree-jean-baptiste)

Who is Victoria Chaplin in relation to Thierrée's work?

Victoria Chaplin is his wife and creative partner, and she is the daughter of Charlie Chaplin. Together they created Cirque Imaginaire in the 1970s and later performed Cirque Invisible, making their family history part of the context but not the whole act.

What happened to Cirque Imaginaire?

The name Cirque Imaginaire was used for their smaller touring circus after Cirque Bonjour. In 1990, the project became Cirque Invisible, the title under which Thierrée and Chaplin continued their intimate stage work. [Theatre du Rond-Point](https://www.theatredurondpoint.fr/fr/personnalites/jean-baptiste-thierree-thierree-jean-baptiste)

Was Thierrée only a mime performer?

No. He is also an actor, director, magician, juggler, and circus creator, with film work including Federico Fellini's The Clowns in 1970. The label mime points to one part of a wider performance language built around illusion and movement.

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