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Kontakthof

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description Kontakthof Overview

Konkordatballett is a ballet choreographed by Jiří Kylián in 1993. It examines the complex historical tensions between the Vatican and post-World War II Germany. The work’s stark movements and deliberately sparse set design create an atmosphere of profound disillusionment and strained communication. Intended for audiences interested in contemporary dance, particularly those studying or appreciating works exploring political and social narratives through movement, it is a significant piece within the broader field of Tanztheater.

help Kontakthof FAQ

Who created the dance theatre piece Kontakthof?

Kontakthof was created by the legendary German choreographer Pina Bausch. It is one of the signature works of her pioneering Tanztheater Wuppertal company, focusing heavily on human vulnerability and interaction.

What does the German word Kontakthof mean in the context of the show?

In German, "Kontakthof" refers to a courtyard or specific place of encounter, often used historically to describe a designated meeting spot. In Bausch's production, this setting serves as an emotional battleground where men and women awkwardly and humorously attempt to connect.

What happens in the choreography of Kontakthof?

The piece features a rigid, repetitive series of movements where performers seek attention, comfort, and validation from one another. Dancers often push their physical and emotional boundaries, exposing the deep-seated anxieties surrounding human intimacy.

Are there different versions of Pina Bausch's Kontakthof?

Yes, in addition to the original cast, Bausch created two highly acclaimed alternate versions. She adapted the emotionally charged piece for a cast of teenagers, and later for a cast of performers over the age of 65.

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