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Naranjo en Flor - Tango
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Naranjo en Flor

description Naranjo en Flor Overview

Naranjo en Flor is an iconic Argentine tango composition from 1944. Written by Homero and Virgilio Expósito, it’s notable for its intensely lyrical vocals and profound emotional expression within the golden-age exposito style. The piece remains a favorite among tango enthusiasts and scholars interested in the genre's rich history and sophisticated musicality.

insights Ranking position

Naranjo en Flor ranks #5 of 192 in the Tango ranking, behind La Yumba, ahead of Sur.

help Naranjo en Flor FAQ

Who composed 'Naranjo en Flor'?

'Naranjo en Flor' was written in 1944 by the brothers Homero and Virgilio Expósito. The Expósito brothers were highly influential in the golden age of Argentine tango, known for their intensely lyrical and poetic compositions. It was first recorded by the orchestra of Osvaldo Fresedo with vocalist Ricardo Ruiz.

What are the lyrics of 'Naranjo en Flor' about?

The song uses the metaphor of a withered orange tree to represent lost youth, fading love, and the pain of aging. Homero Expósito's deeply moving lyrics reflect on a past that was once vibrant and fragrant but has since turned cold. It is considered one of the most poetic and emotionally profound tangos ever written.

Why is 'Naranjo en Flor' so popular among tango singers?

Singers favor 'Naranjo en Flor' because its intensely lyrical vocals and profound emotional expression offer a massive showcase for vocal interpretation. The complex melodies and dramatic pacing allow performers to display both technical skill and deep feeling. Countless vocalists, from Aníbal Troilo's singers to modern artists, have recorded their own renditions.

When did 'Naranjo en Flor' achieve its greatest success?

While composed in 1944, the song achieved massive, lasting success a decade later when it was famously recorded by Aníbal Troilo's orchestra with vocalist Alberto Marino in 1954. This later version became an instant classic and solidified the Expósito brothers' legacy in tango history. It remains a staple of tango radio and milongas to this day.

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