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Radiohead - Creep - Ballad
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Radiohead - Creep

description Radiohead - Creep Overview

Radiohead’s “Creep” is a 1992 song recognized as a defining track of alternative rock. The ballad gained significant attention through its melancholic lyrics and Thom Yorke's distinctive vocals. Initially a local favorite, it unexpectedly became an international hit due to heavy radio play. It resonated particularly with young listeners experiencing feelings of isolation and awkwardness, establishing itself as a classic within the grunge and alt-rock genres.

insights Why this score

Radiohead - Creep ranks #35 of 186 in the Ballad ranking, behind Lana Del Rey - Video Games, ahead of Aerosmith - I Don't Want to Miss a Thing.

help Radiohead - Creep FAQ

Why did Radiohead initially dislike their own song "Creep"?

Radiohead, particularly lead singer Thom Yorke, grew to resent the song because its massive mainstream popularity completely overshadowed their other, more complex material during early live shows. The band famously refused to play it at many of their concerts for several years following the release of their 1995 album *The Bends*.

What guitar effect creates the explosive crunches during the song's chorus?

The sudden bursts of aggressive guitar distortion in the chorus are achieved using a BOSS SD-1 Super OverDrive pedal. Guitarist Jonny Greenwood actually hated the quiet nature of the verses and wanted to ruin the song with harsh distortion, which inadvertently created the iconic dynamic shift.

Did Radiohead get sued over the chord progression in "Creep"?

Yes, the song's chord progression and vocal melody share a striking resemblance to "The Air That I Breathe," a 1972 song by The Hollies. As a result, The Hollies songwriters Albert Hammond and Mike Hazelwood were given co-writing credits and receive royalties for the track.

Was "Creep" an immediate hit when first released in the UK?

No, the initial 1992 UK release of the single completely flopped and received very little radio play. It wasn't until it was heavily played by an Israeli radio station, followed by San Francisco's LIVE 105, that the song became an international hit.

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