description Shostakovich Trilogy Overview
The Shostakovich Trilogy presents three full-length ballets inspired by Dmitri Shostakovich’s music and choreographed by eclectic artists. *Lady Macbeth*, *Stepan Razin*, and *Circus* explore themes of societal oppression and individual struggle through abstract movement. Choreographer Alexei Ratmansky’s interpretations are notable for their dramatic intensity and faithfulness to Shostakovich's scores. These works are intended for audiences interested in 20th-century ballet, particularly those appreciating challenging narratives and the intersection of music and dance.
help Shostakovich Trilogy FAQ
What are the three parts of Ratmansky's Shostakovich Trilogy?
Alexei Ratmansky's Shostakovich Trilogy consists of Symphony #9, Chamber Symphony, and Piano Concerto #1. The complete trilogy premiered with American Ballet Theatre in 2013.
Is Shostakovich Trilogy based on Lady Macbeth, Stepan Razin, and Circus?
No, that description does not match Ratmansky's Shostakovich Trilogy. The ballet is abstract and biographical in feeling, using concert works by Dmitri Shostakovich rather than three Soviet story ballets.
Why does Shostakovich Trilogy feel political?
Ratmansky uses Shostakovich's music to suggest pressure, irony, fear, and public performance under Soviet rule. Chamber Symphony is often read as the most personal section, with a central male figure linked to Shostakovich himself.
Which company commissioned Shostakovich Trilogy?
American Ballet Theatre presented the trilogy, with Ratmansky working there as artist in residence. The work belongs to his wider Shostakovich repertory, which also includes Concerto DSCH for New York City Ballet.
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