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Squarepusher - Feed Me Weird Things - Electronic Album
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Squarepusher - Feed Me Weird Things

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description Squarepusher - Feed Me Weird Things Overview

Feed Me Weird Things is the debut studio album by British electronic musician Tom Jenkinson, released under his stage name Squarepusher in 1996 on Rephlex Records. The album establishes his signature sound by fusing highly complex, fast-paced drum and bass programming with his background as a virtuoso fretless bass player. It bridges the gap between intelligent dance music and live jazz fusion, utilizing rapid Roland TB-303 acid lines alongside intricate acoustic instrumentation. The record is aimed at listeners who appreciate challenging, experimental electronic music.

help Squarepusher - Feed Me Weird Things FAQ

What label released Squarepusher's Feed Me Weird Things?

Feed Me Weird Things was released in 1996 on Rephlex Records, the label co-founded by Richard D. James (Aphex Twin) and Grant Wilson-Claridge. Squarepusher later moved to Warp Records for subsequent albums starting with Hard Normal Daddy in 1997.

Does Squarepusher play bass guitar on Feed Me Weird Things?

Yes, Tom Jenkinson (Squarepusher) is an accomplished bass guitarist, and his virtuosic fretless bass playing is woven throughout the album alongside his fast-paced drum-and-bass programming. This fusion of live jazz-fusion bass with electronic programming became his signature style.

How does Feed Me Weird Things compare to Squarepusher's later albums?

Feed Me Weird Things established the template of frenetic drum-and-bass programming combined with live bass that Squarepusher would refine on later Warp releases like Hard Normal Daddy (1997) and Big Loada (1997). The debut is generally rawer and more rough-edged than those follow-ups.

Is Squarepusher connected to Aphex Twin?

Yes, Squarepusher's debut album was released on Rephlex Records, the label co-founded by Richard D. James, who records as Aphex Twin. Both artists were central figures in the 1990s UK electronic scene, though Squarepusher's incorporation of live bass guitar distinguishes his approach from James's work.

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