description The Gates of Hell Overview
The Gates of Hell is a monumental sculptural group by French artist Auguste Rodin, commissioned in 1880 for a decorative arts museum in Paris that was never built. The elaborate doors depict scenes of suffering and despair inspired by Dante Alighieri's epic poem, the Inferno. Rodin worked on the project for nearly forty years, and it served as a source for several of his most famous independent works, including The Thinker and The Kiss. The doors were never cast in bronze during Rodin's lifetime but exist today in posthumous editions housed in major institutions.
insights Ranking position
The Gates of Hell ranks #1 of 169 in the Sculpture ranking, ahead of Aphrodite of Knidos.
help The Gates of Hell FAQ
Why did Rodin's The Gates of Hell take so long to complete?
Rodin was commissioned to create the monumental sculptural group in 1880 for a decorative arts museum in Paris, but the museum was never built. He continued to work on the doors, which were inspired by Dante's Inferno, for nearly 40 years until his death in 1917. Rodin constantly revised the project, never feeling it was fully resolved.
How is The Gates of Hell connected to The Thinker?
The Thinker was originally conceived in 1880 as the central figure sitting atop The Gates of Hell. The figure was initially meant to represent Dante observing the tormented souls below him. Several other famous independent Rodin works, like The Kiss, also originated as figures planned for this massive portal.
Where can I see Rodin's The Gates of Hell today?
The first bronze cast of the unfinished Gates of Hell was completed in 1928 and is housed at the Musée Rodin in Paris. The museum was created in the former Hôtel Biron to showcase Rodin's life's work. A second cast can be viewed at the Kunsthaus Zürich in Switzerland.
What literary work inspired Rodin's The Gates of Hell?
The elaborate doors heavily depict scenes of suffering and despair inspired by Dante Alighieri's 14th-century epic poem, the Inferno. Rodin also drew inspiration from Charles Baudelaire's poetry collection, Les Fleurs du mal. This dark, psychological subject matter allowed Rodin to explore the raw emotions of human agony and desire.
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