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Walton: Belshazzar's Feast - Classical Composition
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Walton: Belshazzar's Feast

description Walton: Belshazzar's Feast Overview

Belshazzar's Feast is a large-scale choral-orchestral work composed by the English composer William Walton in 1931. Subtitled a cantata for baritone, chorus, and orchestra, the piece features a libretto by Osbert Sitwell based on biblical texts from the Book of Daniel. It is renowned for its massive scale, requiring a substantial orchestra augmented by extra brass bands and a double chorus. The work premiered at the Leeds Festival and remains a prominent piece of the English modernist choral repertoire.

help Walton: Belshazzar's Feast FAQ

What is William Walton's Belshazzar's Feast?

"Belshazzar's Feast" is a large-scale choral-orchestral work composed by the English composer William Walton in 1931. Subtitled a cantata, it features parts for a baritone soloist, a massive mixed chorus, and a full symphony orchestra. The thrilling piece remains one of the most popular works in the English choral repertoire.

What is the story behind Walton's Belshazzar's Feast?

The piece features a libretto carefully assembled by Osbert Sitwell based on biblical texts from the Book of Daniel. It tells the dramatic story of King Belshazzar's lavish feast, the mysterious writing on the wall, and the subsequent fall of Babylon. The narrative focuses heavily on the themes of blasphemy and divine punishment.

What is the orchestration of William Walton's Belshazzar's Feast?

The 1931 cantata requires a massive, augmented orchestra to handle its overwhelming climaxes. Uniquely, it calls for two brass bands, which include trumpets, trombones, and tubas, placed offstage to represent the enemy armies. The sheer scale of the orchestration makes it a favorite at the BBC Proms.

Who commissioned William Walton to write Belshazzar's Feast?

The work was originally commissioned by the BBC in 1929 for a general choral competition. However, as the scope of the composition grew to massive proportions, it proved far too difficult for amateur choirs. It instead premiered at the Leeds Festival in 1931 under the baton of Malcolm Sargent.

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