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The Assumption of the Virgin is a monumental altarpiece painted by Titian between 1516 and 1518 for the high altar of Santa Maria Gloriosa dei Frari in Venice, where it remains. Approximately 6.9 metres tall, the panel organizes the apostles, the ascending Virgin, and God the Father into three verti...
The Creglingen Altarpiece is an unpainted limewood retable attributed to Tilman Riemenschneider and generally dated to the early sixteenth century. Installed in the Herrgottskirche near Creglingen, Germany, its central shrine represents the Assumption of the Virgin, surrounded by apostles and framed...
El Greco painted The Assumption of the Virgin in 1577 for the high altar of the church of Santo Domingo el Antiguo in Toledo, his first major Spanish commission. The monumental oil painting shows Mary rising toward heaven amid angels while the apostles gather around her empty tomb below, linking ear...
Peter Paul Rubens painted The Assumption of the Virgin for the high altar of the Cathedral of Our Lady in Antwerp, where the large oil-on-panel altarpiece remains. Completed in the 1620s, it shows the Virgin rising into a brilliant heavenly space while apostles and other witnesses react around the o...
