Top Results for Alto Saxophone

Art Pepper’s *Art Pepper + Eleven* (1959) features the renowned alto-saxophone player alongside a large ensemble led by Marty Paich. The album showcases sophisticated arrangements of contemporary jazz and popular music, reflecting the evolving sound of cool jazz in the 1950s. It's appreciated by ser...

This 1957 jazz album features Art Pepper collaborating with the renowned rhythm section accompanying Miles Davis’s West Coast tour. The recording showcases Pepper’s distinctive alto saxophone playing within a hard-bop style prevalent in the era. It is notable for its direct connection to a significa...

Charlie Parker & Dizzy Gillespie’s “Bird and Diz” (1950) showcases the innovative brilliance of two central figures in bebop jazz. The album features iconic compositions alongside contributions from pianist Thelonious Monk, demonstrating a pivotal moment in the evolution of the genre. It is notable...

Jackie McLean's "Destination...Out!" (1960) is a significant jazz album exploring avant-garde and free-jazz concepts. Featuring Ron Carter on bass and Heath Morrison on drums, it demonstrates McLean’s innovative alto saxophone playing and compositions. The recording showcases a dynamic ensemble soun...

Jackie McLean’s “Let Freedom Ring” (1965) is a significant jazz album exploring avant-garde sounds within the post-bop landscape. Featuring McLean alongside John Coltrane and Eric Dolphy, this recording demonstrates innovative modal improvisation and harmonic experimentation. It's particularly relev...

Cannonball Adderley’s *Them Dirty Blues*, recorded in 1960, showcases a pivotal moment in soul-jazz. This Riverside album features Adderley's alto saxophone and his working sextet delivering energetic interpretations of blues standards. It is notable for its raw intensity and influence on the genre....

Cannonball Adderley’s “Mercy, Mercy, Mercy!” is a live jazz recording from 1966 that established him as a leading alto saxophone player. The album features arrangements by Miles Davis and showcases Adderley's dynamic performance with a full horn section. It’s notable for its soulful energy and impac...

Ornette Coleman's *At the Golden Circle Vol. 1* is a seminal jazz album documenting live performances from 1968-1970. Featuring Coleman’s alto saxophone and his quartet, the recordings represent a pivotal moment in free jazz. These sessions demonstrate radical departures from traditional harmonic st...

Charlie Parker’s “With Strings” represents a significant exploration of jazz fusion. Released in 1950, this Verve album pairs the legendary alto-saxophone player's bebop improvisations with arrangements for a string orchestra. It showcases Parker's virtuosity within a classical context and remains n...

Ornette Coleman's *Sound Grammar* (2000) is a live jazz album documenting his collaborative improvisation with Dewey Friedlander and Jessica Hackman. The recording exemplifies Coleman’s pioneering approach to free-jazz, prioritizing spontaneous musical interaction and collective sonic development ov...

Cannonball – Portrait of Cannonball showcases the alto-saxophone talent of Adderley alongside veteran musicians Bill Evans and Miles Davis. Recorded in 1958 for Riverside Records, this album exemplifies hard bop jazz within a quintet arrangement. It is notable for its innovative harmonies and Adderl...

Jackie McLean’s “One Step Beyond” (1960) is a significant jazz album exploring avant-garde and free-jazz concepts within the context of the 1960s. The recording highlights McLean's distinctive alto saxophone playing, demonstrating his innovative approach to improvisation alongside Blue Note’s establ...

Ornette Coleman’s “Skies of America” is a landmark jazz album from 1966. Featuring Coleman's alto saxophone and a quartet, it showcases his pioneering approach to collective improvisation. The recording utilizes modal harmonies to generate expansive soundscapes, significantly influencing the develop...

Ornette Coleman’s *Dancing in Your Head* (1972) is a landmark free-jazz recording. The album features extended improvisations by Coleman alongside Harold Roberts and John Burgess, pushing harmonic boundaries and establishing a uniquely exploratory style within post-bop jazz. It's notable for its col...

African Waltz showcases alto-saxophonist Cannonball Adderley’s distinctive style during the early 1960s. The album features his signature soulful sound interwoven with expansive big band instrumentation. Notably, "African Waltz" became a significant commercial success, introducing Adderley's music t...

“Know What I Mean?” features Cannonball Adderley’s signature alto saxophone alongside a dynamic quartet including Miles Davis and Jack DeJohnette, capturing the energy of hard bop with improvisational brilliance recorded in 1965.

Immanuel Wilkins is a young alto saxophonist making a significant impact on the contemporary jazz landscape. His playing is characterized by its soaring melodies, intricate harmonic language, and deeply spiritual resonance. Wilkins draws inspiration from a wide range of sources, from classic jazz to...