Best Big Beat

Singles 93-03 is a 2003 compilation album by the English electronic duo The Chemical Brothers, marking their first decade of releases. The double-disc collection chronicles their prominent singles from the big beat and techno genres, featuring tracks like "Block Rockin' Beats" and "Hey Boy Hey Girl....

The Fat of the Land is the third studio album by the British electronic group The Prodigy, released in 1997 on XL Recordings. The record features a highly aggressive fusion of big beat, rave, techno, and punk rock elements, driven by frontman Keith Flint's vocal performances. It produced major inter...

The Chemical Brothers' 1999 album Surrender featured guest vocals from Noel Gallagher, Bernard Sumner, and Hope Sandoval and reached number one on the UK Albums Chart.

Exit Planet Dust is the 1995 debut album by English duo The Chemical Brothers (Tom Rowlands and Ed Simons), released on Virgin Records. It is widely regarded as a foundational big beat record, blending heavy breakbeats, dense sampling, and psychedelic textures across tracks such as "Chemical Beats"...

You've Come a Long Way, Baby is the second studio album by English big beat musician Fatboy Slim, released in 1998 on Skint Records. The record was a commercial breakthrough, reaching number one on the UK Albums Chart and achieving multi-platinum status in the United States. It features the massive...

Vegas is the debut studio album by the American electronic music duo The Crystal Method, originally released in 1997. Consisting of members Ken Jordan and Scott Kirkland, the group crafted a sound heavily reliant on thick synthesizer lines, heavy breakbeats, and vocal samples. The album is widely re...

Push the Button is the fifth studio album by British electronic music duo The Chemical Brothers (Tom Rowlands and Ed Simons), released in 2005 on the Virgin Records label. The album won the Grammy Award for Best Electronic/Dance Album at the 48th Annual Grammy Awards and features vocal collaboration...

The Chemical Brothers’ *Dig Your Own Hole* (1997) is a seminal electronic album blending dance and rock influences. Its innovative use of sampling and looping created a distinctive big beat sound that significantly impacted popular music. The record's atmospheric textures and psychedelic elements ap...

Come With Us is the fourth studio album by English electronic duo The Chemical Brothers, released in 2002 through Virgin Records. The album produced several singles including "Star Guitar," "Come With Us," and "The Test," featuring vocals from Beth Orton and Richard Ashcroft. It continued their blen...

Better Living Through Chemistry is the debut studio album by British electronic musician Fatboy Slim (Norman Cook), released in 1996. The album helped establish the "big beat" genre, characterized by its heavy use of samples, prominent breakbeats, and party-friendly electronic sound. The title refer...

Invaders Must Die is the fifth studio album by British electronic group The Prodigy, released in 2009 on the band's own Take Me to the Hospital record label. The album marked a reunion of the classic vocal lineup, featuring prominent contributions from both Keith Flint and Maxim alongside founder Li...

Halfway Between the Gutter and the Stars is the third studio album by Fatboy Slim, released in 2000 through Skint Records. It continues Norman Cook's sample-based electronic style while incorporating elements of big beat, house, funk, gospel, and rock. The album includes Weapon of Choice, featuring...

We Are the Night is the sixth studio album by English electronic music duo The Chemical Brothers, released in 2007 through Virgin Records. The album continues the duo's signature big beat and psychedelic electronic sound, heavily featuring a diverse array of guest vocalists. Collaborators on the rec...

2001 second album by American electronic duo The Crystal Method, continuing their aggressive breakbeat and big beat sound following the commercial success of their debut Vegas.

The Prodigy's 2004 fourth album, largely written and performed by Liam Howlett alone without regular vocalists Keith Flint and Maxim.