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The Tartini Violin Sonata in G minor, known as the Devil’s Trill Sonata, is a Baroque work originally composed by Giuseppe Tartini. It gained notoriety through its exceptionally challenging final movement featuring a rapid, repeated trill—a passage considered incredibly difficult for violinists to e...
Biber’s Rosary Sonata No. 11, ‘The Resurrection,’ is a significant Baroque work for solo violin and continuo. It presents the Hail Mary prayer as a series of intricate instrumental variations, utilizing scordatura – an altered violin tuning that expands its range. The piece showcases Biber's innovat...
Handel's HWV 371 is a four-movement sonata in D major for violin and continuo, composed around 1749–50 and considered his final contribution to the violin sonata genre. The movements follow the sequence Affettuoso, Allegro, Largo, and Allegro. The work was not published during Handel's lifetime. It...
Biber’s Rosary Sonata No. 10, ‘The Crucifixion,’ is a significant Baroque work for solo violin and continuo. It uniquely presents the Hail Mary prayers as intricate melodic passages within the violin's sound, utilizing scordatura – an alternative tuning system – to achieve this effect. This piece sh...
Arcangelo Corelli's Violin Sonata in A major, Op. 5 No. 9 is a Baroque work for violin and basso continuo, published in Rome in 1700 as part of his twelve Op. 5 sonatas. The set was widely disseminated across Europe and became a foundational model for late Baroque violin technique and style. The A m...
Tartini’s Violin Sonata in G minor, B.g5, ‘Devil’s Trill’, is a cornerstone of Baroque violin repertoire. Composed by Italian violinist Giuseppe Tartini around 1736, the sonata's notable final movement presents an extraordinarily complex and rapid trill—the “devil’s trill”—that pushed technical boun...
The Corelli Violin Sonata in D minor, Op. 5 No. 12, known as ‘La Folia,’ is a cornerstone of Baroque music. Composed by Arcangelo Corelli around 1685, it’s notable for its intricate variations and the hauntingly beautiful “Folia” theme—a melancholic melody that became incredibly popular throughout t...
The Violin Sonata in A major, HWV 361, is a chamber work by the German-British Baroque composer George Frideric Handel. Preserved in an autograph manuscript dating from approximately 1725 to 1726, the piece is structured as a four-movement sonata for violin and continuo. It follows a slow-fast-slow-...
Tartini’s Violin Sonata in G minor, Didone abbandonata, is a significant work from the Baroque period. Composed around 1733, it tells the story of Virgil's tale of Dido through its musical structure and dramatic shifts in tempo and dynamics. The sonata showcases Tartini’s innovative use of counterpo...
Heinrich Ignaz Franz Biber’s Rosary Sonata No. 15, composed around 1676, is a significant work within his series of "Mystery Sonatas." This Austrian Baroque piece utilizes scordatura—a tuning technique that alters the violin's standard pitch—to create distinctive textures and effects. The sonata was...
Antonio Tartini’s Violin Sonata in G minor, known as “Devil’s Trill,” is a cornerstone of Baroque music. Composed around 1713, this work showcases exceptional technical difficulty particularly through its rapid and complex trills. The piece gained notoriety due to the associated legend of Tartini’s...
Biber’s Rosary Sonata No. 14, ‘The Assumption of the Virgin,’ is a Baroque violin sonata composed around 1676. It's notable for its incorporation of scordatura—a tuning system demanding exceptional technical skill—and its devotional subject matter. The work was part of Biber’s larger Mystery Sonatas...
Heinrich Ignaz Franz Biber’s Rosary Sonata No. 9, ‘The Carrying of the Cross,’ is a significant Baroque violin sonata composed around 1676. It showcases Biber's innovative use of scordatura—a tuning technique that alters the violin’s sound—to vividly depict the biblical story of Jesus carrying the c...
Op. 9 No. 3 is a Baroque violin sonata by French composer Jean-Marie Leclair, notable as part of his fourth collection of twelve violin sonatas.
Heinrich Ignaz Franz Biber’s Rosary Sonata No. 12, ‘The Ascension,’ is a remarkable violin sonata from his 1676 Mystery Sonatas cycle. The work utilizes complex scordatura techniques, employing varied tunings to represent the Hail Mary prayers of the rosary. Its programmatic structure reflects this...
Handel's HWV 364a is a four-movement G-minor sonata for violin and continuo, written around 1724-26 and preserved in an autograph manuscript.
Giuseppe Tartini's Violin Sonata in G minor, widely known as the "Devil's Trill," is a prominent Baroque composition for violin and basso continuo. The piece was posthumously published in 1799 and remains the composer's most recognized work, characterized by its technically demanding double stops an...
Heinrich Ignaz Franz Biber's 'Rosary Sonata No. 6, The Agony in the Garden' is a Baroque violin sonata composed around 1676 in Austria. It is a segment of Biber's 'Mystery Sonatas', a collection of 15 pieces meditating on the Catholic Rosary mysteries. This specific sonata initiates the Sorrowful My...
Tartini's G minor violin sonata, B.G10, is an Italian Baroque work reflecting the violin-centered output of the Padua-based virtuoso.
The Annunciation is the first of Heinrich Ignaz Franz Biber's Rosary Sonatas, also called the Mystery Sonatas, a Baroque cycle for violin and continuo associated with episodes from the Rosary. Unlike most of the sonatas in the cycle, it uses the violin's normal tuning rather than scordatura. Its var...
Biber's Rosary Sonata No. 13, commonly titled "The Pentecost," is a Baroque work for violin and continuo associated with the descent of the Holy Spirit. It belongs to Heinrich Ignaz Franz Biber's cycle of fifteen Mystery Sonatas, composed around 1676 and organized around episodes in the lives of Chr...
Handel's HWV 359a is a four-movement D-minor sonata for violin and continuo, composed around 1724 and securely attributed through an autograph source.
Op. 2 No. 10 is a Baroque violin sonata by French composer Jean-Marie Leclair, notable for blending French refinement with Italianate virtuosity.
The Rosary Sonata No. 3, "The Nativity," is a Baroque composition for violin and basso continuo by Heinrich Ignaz Franz Biber. It belongs to his Mystery Sonatas, a collection of 16 works created around 1676 that correspond to the Catholic Rosary mysteries. This sonata employs scordatura, a technique...
Arcangelo Corelli's Violin Sonata in G minor, Op. 5, No. 5 is a Baroque work for violin and basso continuo published in 1700. It is one of the six "church sonatas" (sonate da chiesa) in his Opus 5 collection, a highly influential set that significantly advanced and standardized violin technique acro...
Leclair's Op. 2 No. 5 is a four-movement Baroque sonata in G major for violin or flute and continuo, published in Paris in 1728.
Locatelli's Op. 6 No. 7 is a C-minor sonata for violin and basso continuo, issued in Amsterdam in 1737 as part of his twelve-sonata Op. 6.
Rosary Sonata No. 8, 'The Crowning with Thorns,' is a violin sonata by the Austrian Baroque composer Heinrich Ignaz Franz Biber, composed c. 1676 as part of his Mystery (or Rosary) Sonatas, a cycle of 15 works plus a closing Passacaglia meditating on the rosary mysteries. Each sonata uses a differen...
Leclair's Op. 2 No. 3 is a three-movement Baroque sonata in C major for violin or flute and continuo, published in Paris in 1728.
Heinrich Ignaz Franz Biber (1644–1704) was an Austro-Bohemian composer and violinist. His Rosary Sonatas, also called the Mystery Sonatas, are a set of 16 violin sonatas composed around 1676, each using a different scordatura tuning, followed by a closing Passacaglia in standard tuning. Sonata No. 7...
