Best Florentine

The San Marco Altarpiece is a sacra conversazione painted by Fra Angelico around 1438 to 1443 for the Dominican convent of San Marco in Florence. It presents the Virgin and Child enthroned among angels and saints within a unified, perspectivally organized space, with a painted crucifixion placed bef...

The Pisa Polyptych was an extensive altarpiece painted by Masaccio in 1426 for a chapel in the Carmelite church of Santa Maria del Carmine in Pisa. It combined a central enthroned Madonna and Child with saints, a Crucifixion, predella narratives, and other panels arranged in a Gothic frame. The stru...

Raphael painted the Madonna of the Goldfinch around 1506 during his Florentine period; the work is now in the Uffizi Gallery. It depicts the Virgin seated in a landscape as the young Saint John offers a goldfinch to the Christ Child, forming a calm pyramidal group. Because the bird was associated wi...

The Annunciation in the Uffizi Gallery in Florence is an early Renaissance panel painting generally dated to about 1472 to 1475 and attributed to Leonardo da Vinci. It presents the angel Gabriel greeting Mary in a walled garden, with carefully observed flowers, architectural perspective, and a dista...

The Annunciation Altarpiece in Cortona is an early Renaissance work painted by Fra Angelico around 1430 and now housed in the Museo Diocesano in Cortona, Italy. It presents the angel Gabriel and the Virgin beneath an elegant arcaded loggia, with the expulsion of Adam and Eve visible at the left. Its...

Sandro Botticelli's Adoration of the Magi, painted around 1475, is a tempera panel now in the Uffizi Gallery in Florence. The biblical worship of the Christ Child is populated by contemporary Florentine figures, including portrait likenesses traditionally identified with Cosimo de' Medici and other...

The Santa Lucia dei Magnoli Altarpiece, also called the St. Lucy Altarpiece, was painted by Domenico Veneziano around the mid-1440s and is now in the Uffizi Gallery in Florence. Its main panel places the Virgin and Child with Saints Francis, John the Baptist, Zenobius, and Lucy in a single, carefull...

The Uffizi Coronation of the Virgin is a tempera-and-gold altarpiece painted by Fra Angelico during the early Italian Renaissance, probably around 1432. It depicts Christ crowning the Virgin above ordered ranks of angels, saints, and blessed figures, with extensive gilding creating a luminous sacred...

Sandro Botticelli completed The Mystical Nativity in 1500, using tempera on canvas to combine the birth of Christ with an apocalyptic vision of reconciliation. Angels dance above the stable while other angels embrace human figures below, and demons retreat into fissures in the ground. A Greek inscri...

Lorenzo Monaco's Coronation of the Virgin is a large tempera-and-gold altarpiece completed in 1414 and now in the Uffizi Gallery in Florence. The central scene shows Christ crowning the Virgin amid a radiant assembly of angels and saints, with additional sacred narratives distributed across the work...

The Linaiuoli Tabernacle is a painted and sculpted devotional ensemble commissioned in 1432 by Florence's guild of linen manufacturers and merchants. Fra Angelico painted its panels, including the enthroned Madonna and Child and figures of saints, while Lorenzo Ghiberti designed the marble tabernacl...

The Coronation of the Virgin is a large altarpiece painted by Fra Filippo Lippi for the church of Sant'Ambrogio in Florence and completed in the 1440s. Its central scene presents God the Father crowning the Virgin amid ranks of angels, saints, and kneeling witnesses arranged across a unified celesti...

Sandro Botticelli's Coronation of the Virgin, also known as the San Marco Altarpiece, was painted around 1488-1490 for the chapel of the goldsmiths' guild in the church of San Marco in Florence. Now in the Uffizi Gallery, the tempera panel divides its composition between a celestial coronation surro...

The Strozzi Altarpiece is a large polyptych painted by Andrea di Cione, known as Orcagna, for the Strozzi Chapel in Santa Maria Novella, Florence. Completed in 1357, it places Christ in Majesty at the center, accompanied by the Virgin, Saint John the Baptist, Saint Thomas Aquinas, and other holy fig...

The Vision of Saint Bernard is an altarpiece by Fra Bartolomeo, completed in the early sixteenth century and now held by the Uffizi Gallery in Florence. It represents the Virgin Mary appearing to Saint Bernard of Clairvaux as he kneels before a writing desk, with saints and angels attending the enco...

The San Barnaba Altarpiece is a large tempera panel painted by Sandro Botticelli around 1487 to 1488 for the church of San Barnaba in Florence and now held by the Uffizi Gallery. It presents the Virgin and Child enthroned beneath an architectural canopy, accompanied by six saints in a sacra conversa...

The Barbadori Altarpiece is a tempera panel painted by Fra Filippo Lippi around 1437 to 1438 for the Barbadori Chapel in Santo Spirito, Florence. Its main panel, now in the Louvre, depicts the Virgin and Child standing within an architectural setting and attended by angels and saints in an early for...

Sandro Botticelli's Bardi Altarpiece, painted around 1485, is now in the Gemaldegalerie in Berlin. It shows the enthroned Virgin and Child between Saint John the Baptist and Saint John the Evangelist beneath an elaborate architectural and vegetal canopy. Commissioned by the Florentine banker Giovann...

Richard Ginori is an Italian porcelain manufacturer founded in 1735 in Doccia, near Florence, making it one of the oldest porcelain producers in Europe. The company produces fine tableware, decorative objects, and artistic ceramics using techniques influenced by French and German porcelain tradition...

Paolo dal Pozzo Toscanelli (1397–1482) was an Italian mathematician, astronomer, and cosmographer from Florence. He is known for his 1474 letter and accompanying world map, sent to the Portuguese court, which proposed that a ship could reach Asia by sailing west across the Atlantic Ocean. This conce...

Carolina Bucci is an Italian fine-jewelry designer whose work is made by artisans in Florence. Her jewelry combines traditional Florentine goldworking with informal, contemporary forms intended for layering and everyday wear. Recurring elements include textured gold, woven threads, beads, and multic...

Established in Florence in 1878 by Gaetano Cantagalli, Manifattura Cantagalli was an Italian ceramics manufacturer highly regarded for its Renaissance-revival maiolica. The workshop specialized in brilliantly colored tin-glazed pottery, replicating historical istoriato styles and techniques for a gl...