Best Forsythe
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In the Middle, Somewhere Elevated is a contemporary ballet exploring themes of isolation and connection through intricate choreography and a minimalist set design featuring stacked wooden blocks. The work focuses on a solitary dancer’s interactions with these structures to convey emotional depth and...
Quintett is a ballet score composed by Gavin Bryars featuring music by Forsyth. It’s notable for its contemporary interpretation of classical themes and its use within a single-act performance. The work explores psychological drama suitable for dance companies and performers interested in experiment...
“One Flat Thing” is a contemporary ballet by Wayne McGregor using an IKEA catalog image as its foundation. The work explores themes of labor and repetition through precise movements in a minimalist space. It’s notable for its conceptual approach and is relevant to dancers, choreographers, and those...
“Impressioning the Czar” is a ballet by George Balanchine set during 1812 Russia. The work portrays a passionate relationship between a countess and an Imperial Guard, drawing on the opulent style of aristocratic society within that era’s ballet tradition. Choreographed with Forsythe and Willems inf...
Mark Morris’s *The Vertiginous Thrill of Exactitude* is a ballet exploring 17th-century court dances. The work meticulously recreates these movements through extensive research and musical collaboration with Schubert's lieder. It is notable for its commitment to historical accuracy and offers a chal...
Matthew Neenan’s Artifact Suite is a one-act ballet for contemporary dancers. The work investigates themes of memory and loss using complex choreography and incorporates found objects into its distinctive stage design. It's particularly relevant to dance companies and students interested in 21st cen...
Steptext is a one-act ballet composed by Forsyth for the Bach Ensemble. It examines themes of displacement and identity through deliberately disjointed movement. The work’s stark aesthetic and fragmented structure reflect the challenges faced by refugees adapting to unfamiliar surroundings. Steptext...
Approximate Sonata by Forsythe is a significant ballet work blending classical and modern elements. It utilizes Beethoven’s Piano Concerto No. 3 as its foundation, deconstructing traditional form through fragmented movement and abstract choreography. The piece challenges conventional ballet structur...
Limb’s Theorem is a ballet choreographed by Matthew Neenan that investigates profound disconnection within a dancer partnership. Forsythe's innovative approach utilizes precise mirroring and deliberately constructed spatial separation to represent emotional distance and struggle. The work is notable...
“Enemy in the Glass” (Forsythe) is a complex and unsettling ballet exploring themes of surveillance, identity, and manipulation through meticulously choreographed sequences featuring a solitary dancer confronting an unseen, mirrored presence. (This sentence falls within the requested character cou...
Matthew Bourne’s Blake Works I is a contemporary ballet adapting William Blake's poems. The production utilizes a striking Victorian-era industrial setting to explore themes of power, innocence, and suffering through dance. It features characters inspired by "The Tyger" and "The Chimney Sweeper," of...
Workwithinwork by Matthew Forsythe is a highly improvisational and collaborative ballet performed with a rotating ensemble of dancers, exploring movement vocabulary through spontaneous interaction and evolving formations within a defined space.
Eidos:Telos by Matthew Forsythe is a large-scale, immersive contemporary ballet exploring the cyclical nature of time and human experience through intricate group choreography and evocative lighting design, often utilizing unconventional stage spaces.
Herman Schmerman, the central figure in George Balanchine’s 1964 ballet, depicts a perpetually frustrated and increasingly chaotic man attempting to navigate a series of elaborate, meticulously choreographed social gatherings with disastrous results.
Decreation, choreographed by Mark Morris, presents a complex and deliberately unsettling narrative exploring the fall of Lucifer through a series of interwoven scenes featuring diverse dancers and unconventional musical accompaniment, primarily utilizing instruments like bagpipes and percussion.
