Best Op 16
Alexander Scriabin's Prelude No. 1 in B major, Op. 16, is a solo-piano work composed in 1894 and published in 1897 as the opening piece of Five Preludes, Op. 16. Marked Andante and written in 3/4, it places a sustained, wide-ranging melody in the right hand above gently arpeggiated accompaniment, ma...
Alexander Scriabin's Prelude in E-flat minor, Op. 16 No. 4, is a short work for solo piano and the fourth piece in his set of Five Preludes, Op. 16. The set belongs to his early piano music and was composed across 1894 and 1895; this prelude is a compact Romantic miniature with a lyrical, inward cha...
Alexander Scriabin's Prelude No. 2 in Op. 16 is a short piece for solo piano and the second work in his Five Preludes, Op. 16. The set was composed across 1894 and 1895, placing the work among Scriabin's early, late-Romantic piano pieces. Its compact scale, expressive phrasing, and harmonic language...
Alexander Scriabin's Prelude No. 5 in F-sharp major, Op. 16, is the final piece in a set of five preludes for solo piano composed in 1894 and 1895. The set belongs to Scriabin's early period and presents short, self-contained works that combine a late Romantic piano idiom with his increasingly indiv...
Alexander Scriabin's Prelude No. 3 in G-flat major, Op. 16 is the third of Five Preludes composed between 1894 and 1895. It is a solo piano miniature from the composer's early period and is marked Andante cantabile, giving it a measured, song-like tempo. The set is one of Scriabin's groups of short...
