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Rankings use category fit, feature coverage, pricing signals, public reception, and recency. Affiliate relationships do not affect scores.

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Best 1 Losing My Religion - R.E.M.

R.E.M.’s “Losing My Religion” music video is a notable example of surrealist art within the alternative rock genre. The film, directed by Smashing Pumpkins’ Billy Corgan, depicts a fictional exorcism using a Gregorian chant and unsettling imagery. It gained widespread attention for its visually arre...

2 R.E.M. - Life's Rich Pageant

Life's Rich Pageant is the fourth studio album by American alternative rock band R.E.M., released in 1986. Produced by Don Gehman, the record marked a departure from the murky sound of their earlier work toward a more accessible, upfront rock production. The album features politically and environmen...

3 R.E.M. - Reckoning

R.E.M.'s second studio album, *Reckoning*, was released in 1984 on I.R.S. Records. Produced by Mitch Easter and Don Dixon, the record builds upon the jangly alternative rock and folk-influenced sound established on the band's debut, *Murmur*. Featuring tracks such as "So. Central Rain (I'm Sorry)" a...

4 Everybody Hurts - R.E.M.

The "Everybody Hurts" music video for R.E.M. features lead singer Michael Stipe navigating a Los Angeles traffic jam while visually representing feelings of isolation and despair. Shot in 1990, it’s notable for its stark black-and-white cinematography and evocative imagery reflecting the song's them...

5 R.E.M. - In Time: The Best of R.E.M. 1988-2003

R.E.M.’s “In Time” gathers essential tracks from their career spanning 1988 to 2003. This compilation offers a comprehensive overview of the band’s evolution within alternative rock, showcasing their distinctive sound and enduring influence. It is particularly valuable for fans seeking a complete co...

6 In Time: The Best of R.E.M. 1988–2003

In Time: The Best of R.E.M. 1988–2003 is a 2003 compilation album by R.E.M. that compiles tracks from their Warner Bros. catalog, spanning from Green through Reveal. It includes two new recordings, "Bad Day" and "Animal," and reached the top 10 on album charts in both the United States and the Unite...

7 R.E.M. - Out of Time

Out of Time is the seventh studio album by American alternative rock band R.E.M., released in 1991. The record was a massive commercial breakthrough, featuring the mainstream crossover hit "Losing My Religion," which topped charts worldwide. It won three Grammy Awards, including Best Alternative Mus...

8 R.E.M. - New Adventures in Hi-Fi

*New Adventures in Hi-Fi* is the tenth studio album by the American alternative rock band R.E.M., released on September 9, 1996. The album is distinctive in its production approach, as the majority of its tracks were recorded live during soundchecks and performances on the band's 1995 *Monster* tour...

9 R.E.M. - Eponymous

R.E.M.’s self-titled 1988 compilation offers a foundational collection of the band’s early work. It showcases their distinctive sound—a blend of folk and rock—and includes tracks that established them as key figures in the college rock scene. The album is valuable for fans interested in exploring R....

10 R.E.M. - Fables of the Reconstruction

Released in 1985, "Fables of the Reconstruction" is the third studio album by the American alternative rock band R.E.M. The record was produced by Joe Boyd and recorded in London, marking a shift toward a darker, more atmospheric, and folk-influenced sound compared to their earlier jangle pop. Featu...

11 R.E.M. - Green

Green is the sixth studio album by American alternative rock band R.E.M., released on November 7, 1988. It was the band's first release on Warner Bros. Records following their tenure on I.R.S. Records, making it their major-label debut. The album blends jangly guitar-driven pop with politically enga...

12 R.E.M.: Tourfilm

R.E.M.: Tourfilm is a 1990 concert film documenting the band's 1989 Green world tour, directed by Jim McKay. Filmed primarily at the Greensboro Coliseum in North Carolina, the production is distinguished by its black-and-white cinematography and unconventional visual approach that departs from strai...

13 R.E.M. - Monster

Monster is the ninth studio album by the American alternative rock band R.E.M., released in 1994. The album marks a deliberate stylistic departure from the acoustic-leaning arrangements of their previous records, adopting a heavily distorted electric guitar sound influenced by 1970s glam rock. It fe...

14 R.E.M. - Accelerate

Accelerate is the fourteenth studio album by R.E.M., released on April 1, 2008, by Warner Bros. Records. Produced by Jacknife Lee, the album marked a deliberate return to fast, guitar-driven rock after the more subdued and atmospheric sound of their previous album, Around the Sun (2004). The album w...

15 R.E.M. - Collapse into Now

Collapse into Now is the fifteenth and final studio album by the American alternative-rock band R.E.M., released in 2011. Produced by Jacknife Lee with the band, it features the core trio of Michael Stipe, Peter Buck, and Mike Mills, with contributions from guests including Patti Smith, Peaches, and...

16 R.E.M. - Reveal

Twelfth studio album by R.E.M., released in 2001, notable for its lush, layered production incorporating orchestration and synthesizers.

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