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Bob Dylan: Rolling Thunder Revue - Film
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Bob Dylan: Rolling Thunder Revue

description Bob Dylan: Rolling Thunder Revue Overview

Martin Scorsese’s 2019 documentary, Rolling Thunder Revue, presents a unique portrait of Bob Dylan and his touring ensemble in 1975. The film combines restored concert recordings from this ambitious, itinerant performance with narrative segments exploring the group's experiences. Featuring collaborations with artists like Joni Mitchell and Roger McGuinn, it offers an intimate look at Dylan’s creative process and the dynamic of a legendary musician’s band. This work is of interest to fans of Dylan, Scorsese's filmmaking, and 1970s folk-rock music.

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Bob Dylan: Rolling Thunder Revue ranks #17 of 357 in the Film ranking, behind Kodak Aerochrome III 1443, ahead of Metallica: S&M.

help Bob Dylan: Rolling Thunder Revue FAQ

Is Martin Scorsese's Rolling Thunder Revue a real documentary?

The 2019 Netflix film blends authentic archival concert footage from Bob Dylan's 1975 tour with fictionalized interviews and staged elements, making it a hybrid of documentary and docu-fiction. Scorsese and editor David Tedeschi constructed a narrative that deliberately blurs the line between what happened and what is invented.

Who performed on the 1975 Rolling Thunder Revue tour?

The rotating cast included Joan Baez, Roger McGuinn, Ramblin' Jack Elliott, Bob Neuwirth, Mick Ronson, T Bone Burnett, and Allen Ginsberg, among others. Dylan wore whiteface makeup during many of the performances, contributing to the tour's carnival-like atmosphere.

When was Scorsese's Rolling Thunder Revue released?

The film premiered on Netflix in 2019. Its release coincided with the rollout of additional archival recordings from the 1975 tour, including the multi-disc Bootleg Series volume documenting Rolling Thunder performances.

What venues did the Rolling Thunder Revue tour play?

The tour deliberately played smaller venues across New England and Canada in the fall of 1975, with a second leg extending into the southern United States. The tour avoided arenas in favor of more intimate theaters, amplifying its counterpoint to the stadium-scale rock tours of the era.

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