description Cubi XXVIII Overview
Cubi XXVIII is a monumental abstract sculpture created in 1965 by the American artist David Smith. It is part of Smith's renowned Cubi series, which consists of large-scale geometric forms constructed from stainless steel. The work features polished edges that reflect light, contrasting with the matte surfaces of the geometric boxes and cylinders. Completed shortly before the artist's death in a car accident, Cubi XXVIII gained significant public attention when it sold for $23.8 million at a Sotheby's auction in 2005.
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Who is the artist behind the 'Cubi' series of sculptures?
The 'Cubi' series was created by the prominent American abstract expressionist sculptor David Smith. He worked on this series throughout the 1960s until his death in 1965. Smith is considered one of the most important American sculptors of the 20th century for his pioneering work in welded metal.
What material did David Smith use to construct 'Cubi XXVIII'?
Like the rest of the Cubi series, 'Cubi XXVIII' is constructed entirely from stainless steel. Smith intentionally left the welds visible and used a polishing technique on the geometric faces to catch and reflect light. This gave the heavy industrial material a sense of constant movement and visual energy.
Where was 'Cubi XXVIII' exhibited before its famous sale?
'Cubi XXVIII' was famously exhibited at the Gagosian Gallery and was part of various high-profile art collections. The Tate Modern in London holds several works from the broader Cubi series. Because these are large-scale, highly valued sculptures, they are often found in major museums or private sculpture gardens.
What is the significance of the geometric shapes in the Cubi series?
The Cubi series consists of abstract geometric forms—like cubes, cylinders, and rectilinear shapes—stacked and balanced on top of one another. Smith wanted to explore the relationship between the industrial material and the natural environment, often installing them outdoors so the reflective steel would interact with sunlight. They represent a bridge between industrial manufacturing and fine art.
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