El Lissitzky

Proun was Lissitzky's term for abstract compositions that sit between painting and architecture. These works used geometric forms to explore space, movement, and Constructivist ideas.

The 1919 poster uses a red wedge piercing a white circle as a direct political image from the Russian Civil War. It became one of the clearest examples of Constructivist graphic design.

Lissitzky used asymmetrical layouts, photomontage, bold geometry, and experimental typography. His book and exhibition designs influenced later modernist design in Europe.

No. He worked as an artist, architect, typographer, exhibition designer, and propagandist. That range is central to his role in Russian Constructivism.