Best Poster

The official poster for the 1968 Mexico City Olympics, designed by American graphic designer Lance Wyman, whose concentric-line logotype became one of the most influential visual identities in Olympic history.

A 1914 British recruitment image by Alfred Leete depicting Lord Kitchener pointing outward, originally a magazine cover that became one of WWI's most iconic posters.

A 1919 Russian Constructivist propaganda poster by El Lissitzky using bold geometric abstraction to symbolize Bolshevik forces defeating White Army opponents.

A 2008 U.S. presidential campaign poster by street artist Shepard Fairey depicting Obama in red, white, and blue stencil style; a defining symbol of his election run.

A 1943 wartime motivational poster by J. Howard Miller made for Westinghouse Electric, later repurposed as a feminist icon widely associated with women's labor rights.

A 1917 U.S. Army recruiting poster by James Montgomery Flagg depicting Uncle Sam pointing at the viewer, one of the most reproduced images in American history.

Reproduction of Théophile Steinlen's 1896 lithograph advertising the Le Chat Noir cabaret in the Montmartre district of Paris.

Reproduction of Alphonse Mucha's 1894 Art Nouveau lithograph created to advertise Sarah Bernhardt's Paris stage production of Gismonda.

Original Japanese theatrical poster for Katsuhiro Otomo's 1988 animated film set in post-apocalyptic Neo-Tokyo, a landmark of the medium.

The 1958 U.S. poster for Alfred Hitchcock's Vertigo, designed by Saul Bass with illustrator John Whitney, featuring a spiraling figure that is widely regarded as one of the greatest film posters ever created.

The 1960 U.S. poster for Alfred Hitchcock's Psycho, designed by Saul Bass, whose stark typographic and photographic composition is considered a landmark of mid-century American graphic design.

The 1993 U.S. one-sheet for Steven Spielberg's Jurassic Park, featuring the bold T-rex skeleton logo designed by Chip Kidd that originated on Michael Crichton's novel and was adopted wholesale for the film.

The 1982 U.S. one-sheet for Steven Spielberg's E.T. the Extra-Terrestrial, featuring John Alvin's image of two outstretched fingers touching, evoking Michelangelo's Creation of Adam.

The 1968 U.S. one-sheet for Stanley Kubrick's 2001: A Space Odyssey, featuring Robert McCall's bold minimalist artwork that reflected the film's groundbreaking visual ambition.

The 1942 U.S. one-sheet for Michael Curtiz's Casablanca, a wartime release that has since become one of the most sought-after Hollywood Golden Age posters among collectors.

The 1927 German theatrical poster for Fritz Lang's Metropolis, illustrated by Heinz Schulz-Neudamm, considered one of the rarest and most valuable film posters ever produced.

The 1994 U.S. one-sheet for Quentin Tarantino's Pulp Fiction, featuring a stylized illustration of Uma Thurman's character Mia Wallace that became synonymous with 1990s indie cinema.

The 1972 U.S. one-sheet for Francis Ford Coppola's The Godfather, featuring S. Neil Fujita's marionette-hand logo drawn from the novel's cover, now an enduring symbol of the film.

The 1979 U.S. one-sheet for Ridley Scott's Alien, designed by Philip Gips with the iconic egg image, bearing the famous tagline 'In space no one can hear you scream.'

The 1975 U.S. one-sheet for Steven Spielberg's Jaws, illustrated by Roger Kastel, depicting a great white shark ascending toward a swimmer above the tagline that helped define blockbuster marketing.

The 1977 U.S. one-sheet for George Lucas's Star Wars, featuring art by Tom Jung, that became one of the most recognized and collected movie posters in cinema history.

The 1981 U.S. one-sheet for Steven Spielberg's Raiders of the Lost Ark, featuring Richard Amsel's painted illustration of Indiana Jones that established the visual identity for the franchise.

The 1971 U.S. one-sheet for Stanley Kubrick's A Clockwork Orange, featuring the stark image of Malcolm McDowell as Alex DeLarge, designed to reflect the film's provocative dystopian tone.

The 1982 U.S. one-sheet for Ridley Scott's Blade Runner, featuring John Alvin's moody neon-drenched cityscape artwork that has been widely praised as a landmark of science-fiction poster design.

A 1958 travel poster by illustrator David Klein for Trans World Airlines depicting Paris in vivid color, part of his celebrated series defining mid-century airline advertising.

A 1754 political cartoon by Benjamin Franklin depicting a snake severed into colonial segments, widely regarded as the first political cartoon published in America.

The 1985 U.S. one-sheet for Robert Zemeckis's Back to the Future, featuring Drew Struzan's illustration of the DeLorean time machine that became a defining image of 1980s pop culture.

A reproduction of Haddon Sundblom's 1930s Coca-Cola advertising illustrations, which standardized the modern image of Santa Claus as a jolly, red-suited figure through a long-running seasonal campaign.

The official poster for the 1972 Munich Summer Olympics, designed by Otl Aicher, renowned for its systematic use of isometric pictograms and a restrained color palette that set a global standard for sports graphic design.