description Gurrelieder Overview
Arnold Schoenberg's Gurre-Lieder sets poems by Jens Peter Jacobsen in a vast work for soloists, choruses, narrator and orchestra. Completed in 1911, it draws on a Danish medieval legend centered on King Waldemar and his beloved Tove. Their love and her death lead into grief, supernatural unrest and a final turn toward the renewal of nature. The score largely belongs to Schoenberg's late Romantic language, with expansive vocal lines and densely colored orchestration.
Its spoken narration points toward another kind of vocal expression, but the work does not represent a general transition into atonality. The scale can suggest opera even though its structure grows from linked poems and concert writing. It appeals to listeners and students exploring late Romanticism, literary adaptation and Schoenberg's development, especially the distance between this richly tonal music and his later compositional methods.
help Gurrelieder FAQ
Who composed the oratorio Gurrelieder?
*Gurre-Lieder* was composed by the Austrian composer Arnold Schoenberg. He began working on the massive piece in 1900, though it was not completed until 1911.
What is the story told in Schoenberg's Gurrelieder?
The oratorio tells the tragic, medieval Danish legend of King Waldemar and his illicit love for the beautiful Tove. After Tove is murdered by the jealous Queen, the King curses God and is doomed to ride the night as part of a ghostly hunt.
How long is a typical performance of Schoenberg's Gurrelieder?
A complete performance of *Gurre-Lieder* typically lasts around two hours. The work is incredibly demanding, requiring an oversized romantic orchestra, multiple choirs, and a cast of vocal soloists.
Is Gurrelieder an atonal piece of music?
Despite Schoenberg's later fame for inventing atonal music, *Gurre-Lieder* is heavily rooted in late-Romantic tonality. The massive orchestration is highly reminiscent of Gustav Mahler's symphonic style.
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