La Damnation de Faust

Hector Berlioz composed La Damnation de Faust as a 'légende dramatique' or monumental oratorio, straddling the line between an opera and a cantata. It was not originally intended for a fully staged theatrical production, despite its highly dramatic narrative. Today, it is frequently performed in concert halls by massive orchestras and choruses rather than in opera houses.

The composition is a direct adaptation of Johann Wolfgang von Goethe's classic tragedy, Faust. Berlioz was deeply obsessed with Goethe's text, which inspired him to create some of his most innovative and massive orchestration. The narrative follows Faust's pact with Mephistopheles and his eventual journey into the abyss.

The most universally recognized section of the oratorio is the Hungarian March (Marche hongroise), which serves as the opening of Part I. Berlioz actually adapted this melody from his earlier overture, The Flight to Egypt. The sweeping, martial rhythm of the march remains a staple in classical repertoire.

Because Berlioz was known for his monumental orchestration, the work calls for a massive orchestra and a very large chorus to depict Faust's journey through sin and redemption. The chorus takes on multiple roles, representing students, soldiers, and demonic entities. A proper performance requires a massive force of musicians to execute the dramatic swells.