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Harry Lauder - Vaudeville
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Harry Lauder

description Harry Lauder Overview

Sir Harry Lauder (1870–1950) was a Scottish singer, comedian, and songwriter who became one of the highest-paid entertainers of the early twentieth century and among the first British performers to achieve international stardom. Performing in a comic Scottish persona complete with kilt, tam o'shanter, and twisted walking stick, he built his act around dialect songs such as "Roamin' in the Gloamin'" and "I Love a Lassie." Lauder was knighted in 1919 in recognition of his efforts entertaining and raising funds for British troops during the First World War.

insights Ranking position

Harry Lauder ranks #27 of 161 in the Vaudeville ranking, behind Sophie Tucker, ahead of B.F. Keith's Vaudeville Exchange.

help Harry Lauder FAQ

What songs was Harry Lauder famous for?

Lauder was known for songs such as "Roamin' in the Gloamin'," "I Love a Lassie," and "Keep Right On to the End of the Road," many of which he wrote himself. He performed these in a comic Scottish stage persona complete with kilts, a knobbly walking stick, and a Tam o' Shanter hat.

Was Harry Lauder really knighted?

Yes, Lauder was knighted by King George V in 1919 for his services to entertainment and his extensive fundraising during World War I. He reportedly raised over a million pounds for the war effort through benefit concerts and toured extensively performing for troops near the front lines.

How did Harry Lauder's son die?

Lauder's only son, Captain John Lauder, was killed in action in France in 1916 while serving with the Argyll and Sutherland Highlanders during World War I. The loss profoundly affected Lauder, and the experience of grief informed his famous song "Keep Right On to the End of the Road."

How much did Harry Lauder earn as an entertainer?

Lauder was reportedly the highest-paid variety entertainer in the world during the peak of his career, earning enormous sums from extensive tours of Britain, the United States, Australia, and South Africa. He was among the first British performers to command fees comparable to major film stars who would dominate entertainment in later decades.

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