description Mike Bloomfield - Super Session Overview
Mike Bloomfield – Super Session is a 1968 Columbia Records album showcasing a collaborative effort by Mike Bloomfield, Al Kooper, and Stephen Stills. The project produced influential blues-rock tracks blending traditional blues forms with electric instrumentation. It gained attention for its innovative arrangements and contributions from prominent musicians. This record remains notable within the blues-rock genre and is particularly relevant to music students, historians, and fans interested in exploring experimental studio sessions of the era.
insights Ranking position
Mike Bloomfield - Super Session ranks #61 of 403 in the Blues Album ranking, behind Muddy Waters - Folk Singer, ahead of Bobby "Blue" Bland - His California Album.
help Mike Bloomfield - Super Session FAQ
Who are the main musicians featured on the album Super Session?
"Super Session" was a collaborative album featuring guitarists Mike Bloomfield and Stephen Stills, alongside multi-instrumentalist Al Kooper. Because Bloomfield suffered from insomnia and left the sessions early, Stills was brought in to complete the second half of the album. The record also features session musicians like bassist Harvey Brooks and drummer Eddie Hoh.
When was the album Super Session released?
The album was released in 1968 by Columbia Records. It was highly successful upon release, eventually reaching number 12 on the Billboard 200 pop albums chart. The record was conceived as a quick, jam-oriented studio project rather than a permanent band formation.
What is the most famous song on Mike Bloomfield's Super Session?
The most famous track from the album is a twelve-minute cover of "Season of the Witch," a song originally written by Donovan. This extended jam features Stephen Stills on guitar and became a staple of underground FM radio. The album's instrumental track "Albert's Shuffle," featuring Mike Bloomfield, is also widely celebrated by blues-rock enthusiasts.
What genre of music is Super Session?
The album is a pioneering example of blues-rock, blending traditional blues structures with psychedelic rock and folk elements. Al Kooper's Hammond B3 organ playing is a central element of the sound, bridging the gap between Bloomfield's electric Chicago blues style and Stills' folk-rock background. The album helped legitimize the blues-rock jam movement of the late 1960s.
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