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Miracle Mile - Disaster Film
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Miracle Mile

description Miracle Mile Overview

A ringing Los Angeles payphone turns an unexpected romance into a possible nuclear emergency in Steve De Jarnatt's 1988 American apocalyptic thriller. Anthony Edwards plays a musician who answers the call and hears that the United States has launched an attack and retaliation is imminent. He tries to find the woman he has just met, played by Mare Winningham, and arrange a helicopter escape before the reported missiles arrive. The film begins with the tone of an offbeat romantic story, then follows a nighttime rush through a city increasingly gripped by fear.

Uncertainty about the warning matters as much as the deadline: acting on it can spread panic even before anyone knows whether it is true. Its cult reputation rests on that unsettling shift and its intimate view of social breakdown. It suits viewers who prefer an apocalypse experienced through ordinary streets and fragile personal connections.

help Miracle Mile FAQ

What is the phone call in Miracle Mile that starts the disaster?

Harry answers a ringing pay phone outside a Los Angeles diner and hears a panicked missile-silo worker warn that nuclear weapons will strike in about 70 minutes. Harry cannot prove the call is genuine, so the film's tension comes from deciding whether to flee or dismiss it as a mistake.

Where in Los Angeles does Miracle Mile take place?

Much of the story unfolds around the Miracle Mile district, including the area near the La Brea Tar Pits. Harry's attempt to find Julie and reach an evacuation helicopter turns familiar nighttime Los Angeles streets into an increasingly chaotic escape route.

Who plays Harry and Julie in Miracle Mile?

Anthony Edwards plays Harry Washello, the musician who receives the warning, and Mare Winningham plays Julie Peters. Their abruptly interrupted romance gives Steve De Jarnatt's 1988 thriller its emotional core.

Is Miracle Mile a nuclear-war action movie or a psychological thriller?

It operates as both an apocalyptic thriller and a real-time exercise in uncertainty. Unlike WarGames or The Day After, it keeps the audience close to one ordinary couple while rumours, panic, and possible nuclear annihilation spread through Los Angeles.

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