description Sherry Ortner Overview
Sherry B. Ortner (born 1941) is an American anthropologist whose work has shaped feminist anthropology, practice theory, and the study of class and culture in the United States. Her early fieldwork with Sherpa communities in the Himalaya produced Sherpas Through Their Rituals (1978) and High Religion (1989), while her 1972 essay "Is Female to Male as Nature Is to Culture?" became a widely cited contribution to feminist theory. She has taught at the University of Michigan, Columbia University, UCLA, and Princeton.
insights Ranking position
Sherry Ortner ranks #21 of 191 in the Anthropologist ranking, behind David Graeber, ahead of Arthur Kleinman.
help Sherry Ortner FAQ
What is Sherry Ortner's most famous essay?
Her 1972 essay "Is Female to Male as Nature Is to Culture?" argued that women have been symbolically associated with nature across many cultures, helping launch feminist anthropology as a major analytical framework. It appeared in the inaugural volume of the journal *Signs: Journal of Women in Culture and Society*.
What is Sherry Ortner's key book on class in America?
Her book *New Jersey Dreaming: Capital, Culture, and the Class of '58* (2003) studied her own high school graduating class from Weequahic High School in Newark, New Jersey, tracking how class mobility played out over four decades. It represented her shift from Himalayan ethnography to studying American class and culture.
Where did Sherry Ortner do her ethnographic fieldwork?
Ortner conducted her early fieldwork with Sherpa communities in Nepal, which produced her first book *Sherpas Through Their Rituals* (1979). She later shifted to studying American class dynamics and also conducted fieldwork on the Hollywood film industry, published in *Anthropology and Social Theory* (2016).
What did Sherry Ortner mean by 'practice theory' in anthropology?
Ortner's 1984 essay "Theory in Anthropology Since the Sixties" advocated for a "practice" or "actor-oriented" approach, drawing on Pierre Bourdieu and Marshall Sahlins to study how individual agency and larger social structures mutually shape each other. She argued against treating culture as a static system of symbols divorced from political-economic context.
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