Best American Drama
Updated Daily
Halt and Catch Fire chronicles the experiences of individuals involved in the development of personal computers during the 1980s and early 1990s. The series, spanning four seasons on AMC, explores this period through a fictionalized account of technological advancements. It draws its title from a co...
In August Wilson’s *Fences*, Troy Maxson delivers a powerful monologue using baseball imagery to articulate his frustrations and beliefs. He recounts experiences of discrimination and lost opportunities during the 1950s, reflecting on systemic barriers within American society. The speech is notable...
Wilson’s “Levee’s God” monologue is a pivotal scene from his 1984 play, Ma Rainey's Black Bottom. It features the character Levee, a talented but volatile trumpeter, confronting divine authority. He unleashes a passionate and furious condemnation of God for allowing systemic racism to inflict suffer...
Revenge is an American drama exploring themes of vengeance and identity. The series follows Conrad Belmont, a man who spends decades plotting revenge against those who destroyed his family. Starring Emily VanCamp and Gabriel Mann, it’s notable for its intricate plotlines and exploration of complex r...
'Margaret's final sermon' is a monologue from The Amen Corner, a play by James Baldwin first produced in 1955. The speaker, Margaret Alexander, is a storefront Pentecostal preacher in Harlem whose authority over her congregation and family is the play's central conflict. In the speech, Margaret wres...
Vivian Bearing's opening monologue begins Wit, a play by the American educator Margaret Edson that was first staged in 1995 and received the 1999 Pulitzer Prize for Drama. Bearing, a professor of English literature specializing in the Holy Sonnets of John Donne, addresses the audience directly to an...
Father Flynn's rumor sermon is a monologue in John Patrick Shanley's play Doubt: A Parable, first staged in 2004. Flynn recounts a story in which a woman cuts open a feather pillow, then learns that gathering every scattered feather is as impossible as fully retracting harmful gossip. The sermon add...
This monologue occurs near the climax of "Buried Child," a 1978 play by Sam Shepard that won the Pulitzer Prize for Drama. Spoken by the family patriarch Dodge, the speech reveals a dark secret that has haunted the family's Illinois farmhouse for decades. He confesses to the infanticide of a child b...
This monologue is delivered by the character Austin in Sam Shepard's 1980 play True West. In the context of the play, Austin describes hearing coyotes howling at night in the suburban landscape of Southern California. The speech contrasts the artificiality of modern domestic life with primal, untame...
This monologue appears in David Auburn's play 'Proof,' which premiered in 2000 and won the 2001 Pulitzer Prize for Drama and Tony Award for Best Play. In this pivotal scene, Catherine, a young woman who cared for her father Robert, a brilliant mathematician with mental illness, defends her authorshi...
Crisis is an American television drama focusing on a covert U.S. Navy unit tasked with neutralizing threats to national security. The series explores political espionage and military action through the lens of this specialized team. It’s designed for viewers interested in suspenseful thrillers cente...
The Kardashians documents the daily activities and relationships of the Kardashian family members. It represents a continuation of the earlier series, “Keeping Up with the Kardashians,” which ran for twenty seasons before concluding in 2021. The show explores their personal lives and business ventur...
Keeping Up with the Kardashians chronicled the daily lives of the Kardashian–Jenner family, including sisters Kim, Kourtney, and Khloé, along with their parents and siblings. The E! network series ran for twenty seasons from 2007 to 2021, documenting the personal and professional activities of its c...
