Best Body Text

Stempel Garamond is a serif typeface originating from a 1924 revival. It meticulously recreates the style of Claude Garamond’s original 16th-century typefaces. This monotype design remains notable for its elegant appearance and suitability for body text, particularly in applications requiring an old...

Palatino Nova is a monotype serif typeface created in 2005. It represents a contemporary update to Hermann Zapf’s original Palatino, offering improved legibility for extended body text. The design blends classic humanist old-style elements with modern refinements, making it suitable for professional...

The Bembo Book is a monotype typeface based on the original Bembo design from 1929. It represents a specific optical size variation created to enhance readability in smaller book formats. The adjustments—particularly modified stroke weights and spacing—were developed for improved legibility within b...

FF Meta is a monotype font developed by Erik Spiekermann in 1991. Initially designed for Deutsche Post, it’s notable for its humanist qualities within a sans-serif design. The typeface remains useful today for body text and corporate communications, appealing to designers and typographers seeking a...

Palatino Linotype is a monotype serif typeface originally designed in 1948 by Hermann Zapf. It’s notable for its humanist old-style design and expanded character set suitable for contemporary multilingual texts. The font remains popular among designers and printers working with body text, particular...

The Monotype Baskerville typeface is a modern interpretation of John Baskerville’s celebrated transitional serif design. Originally conceived in Birmingham around 1750, this monotype font gained prominence for its distinctive sharp contrasts and generous white space. It remains a valuable choice for...

FF Scala Sans is a monotype sans-serif typeface created in 1993 by Martin Majoor. Notable for its humanist design, it was initially developed to complement his FF Scala serif font, offering a balanced pairing for body text applications. The typeface remains suitable for designers and typographers re...

Sabon Next is a digital revival of Jan Tschichold's classic Sabon typeface, designed by Jean François Porchez in 2002 to include a larger family of weights and matching italics.

Released in 2007, FF Seria Sans is a humanist sans-serif typeface designed by Martin Majoor to expand his FF Seria family, providing a versatile and highly legible text companion.

Designed by Martin Majoor and released in 2000, FF Seria is a slab serif typeface created as a sturdy companion to his FF Scala family while maintaining exceptional text readability.

Released in 1991, FF Scala is a serif typeface designed by Martin Majoor that is notable for combining Renaissance humanist influences with a highly readable modern text structure.

Released in 2008, FF Meta Serif is a typeface designed by Erik Spiekermann and Kris Sowersby to act as the typographic serif companion to the popular FF Meta sans-serif family.

A Monotype revival of William Caslon I's Old Style typefaces, originally cut in London starting around 1722 and the dominant typeface in English-language printing for much of the 18th century.

Released in 2003, FF Unit is a humanist sans-serif typeface designed by Erik Spiekermann as a cleaner, more legible alternative to his globally successful FF Meta typeface family.

Designed by Mitja Miklavčič in 2007, FF Tisa is a humanist sans-serif typeface developed to address the specific legibility requirements of early digital screen environments.

News Gothic MT is a sans-serif typeface originally designed by Morris Fuller Benton in 1908, notable for its stark, industrial letterforms favored in newspaper publishing.

Designed by Eric Gill around 1930 for his own Hague & Gill press and issued commercially by Monotype in 1937, an unconventional serif blending roman structure with minimal bracketing.

Monotype's digital packaging of Eric Gill's 1928 humanist sans-serif Gill Sans, widely distributed through Microsoft Office and common in British corporate and institutional design.

Commissioned by The Times of London in 1931 and drawn by Victor Lardent under Stanley Morison's direction; it became one of the world's most widely used serif typefaces.

Georgia is a serif typeface designed by Matthew Carter in 1993 for Microsoft, created specifically to remain highly legible and clear even at small pixel sizes on digital screens.

ITC Stone Serif is an old-style serif typeface designed by Sumner Stone in 1987, serving as the foundational member of the Stone superfamily.

ITC Charter is a notable serif typeface designed by Matthew Carter in 1987, originally created for low-resolution printers while maintaining exceptional text legibility.

A 1922 Monotype revival mistakenly attributed to Claude Garamond; scholarly research later confirmed it is based on the types of French punchcutter Jean Jannon, cut around 1615.

Verdana is a humanist sans-serif typeface designed by Matthew Carter in 1996 for Microsoft, notable for its wide spacing and exceptional readability on early computer screens.

Released in 2001, FF Kievit is a humanist sans-serif designed by Michael Abbink, known for its open apertures and high legibility in digital interfaces and corporate branding.

Century Old Style is a classic serif typeface designed by Linn Boyd Benton in 1908, notable for its exceptional legibility in long text blocks and magazine publishing.

A Monotype revival based on the modern-style types cut by Justus Erich Walbaum in Germany around 1800, sharing the high thick-thin contrast of Bodoni and Didot but with a softer quality.

A 1924 Monotype revival based on the types of Pierre-Simon Fournier le jeune, the 18th-century French designer also known for developing an early standardized typographic point system.

A Monotype revival based on types attributed to Hungarian punchcutter Miklós Kis, cut in Amsterdam in the 1680s and long held at the Ehrhardt foundry in Leipzig, Germany.