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Utagawa Kuniyoshi - Nichiren Calming the Storm - Woodcut
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Utagawa Kuniyoshi - Nichiren Calming the Storm

description Utagawa Kuniyoshi - Nichiren Calming the Storm Overview

Utagawa Kuniyoshi’s woodblock print, “Nichiren Calming the Storm,” dates to approximately 1831. It portrays the Buddhist monk Nichiren subduing a tempestuous sea during his exile, based on stories of his life. The artwork is notable for its skillful depiction of movement and emotion within the traditional Japanese woodcut style. Kuniyoshi created this piece as part of a series dedicated to Nichiren’s influential teachings and legendary experiences.

It appeals to those interested in Japanese art, Buddhist history, and Edo-period culture.

insights Ranking position

Utagawa Kuniyoshi - Nichiren Calming the Storm ranks #57 of 210 in the Woodcut ranking, behind Albrecht Dürer - Saint John Before God and the Elders, ahead of Albrecht Dürer - Four Angels Holding Back the Winds.

help Utagawa Kuniyoshi - Nichiren Calming the Storm FAQ

What event from Nichiren's life does Kuniyoshi depict in Nichiren Calming the Storm?

The print shows the Buddhist teacher Nichiren confronting violent seas during his journey into exile. Kuniyoshi turns the religious legend into a dramatic contest between the monk's composure and towering waves.

Was Nichiren Calming the Storm printed as a single sheet or a triptych?

It is generally cataloged as a large horizontal triptych assembled from three woodblock-printed sheets. That format gives Kuniyoshi enough width to surround the small standing monk with an immense, turbulent sea.

Which series does Nichiren Calming the Storm belong to?

The work belongs to Kuniyoshi's illustrated life of the priest Nichiren, commonly known in English as Short Illustrated Biography of the Founder. The series presents episodes associated with the 13th-century founder of Nichiren Buddhism.

How did Kuniyoshi make the storm look so forceful?

He used steep diagonals, curling foam, repeated wave forms, and sharply blown robes to create motion across all three sheets. The still figure of Nichiren provides a deliberate visual contrast to the surrounding water.

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