description The Plum-pudding in Danger – James Gillray (1805) Overview
James Gillray’s “The Plum-pudding in Danger” (1805) is a British political caricature depicting Napoleon Bonaparte and William Pitt the Younger. The print satirizes escalating tensions between Britain and France following the breakdown of the Peace of Amiens. Gillray uses the image of carving a plum pudding – representing Europe – to visually represent their imperial ambitions and competitive claims. This work is notable for its sharp critique of 19th-century political maneuvering and is relevant for those studying British art, Napoleonic history, or political satire.
insights Ranking position
The Plum-pudding in Danger – James Gillray (1805) ranks #2 of 41 in the Caricature ranking, behind Los Caprichos – Francisco Goya (1799), ahead of Beer Street and Gin Lane – William Hogarth (1751).
help The Plum-pudding in Danger – James Gillray (1805) FAQ
What does James Gillray's "The Plum-pudding in Danger" caricature depict?
The 1805 caricature depicts British Prime Minister William Pitt the Younger and French leader Napoleon Bonaparte sitting at a table, carving up a globe shaped like a plum pudding. Pitt calmly slices off the ocean with his knife, while Napoleon aggressively carves off Europe with his sword.
What was the historical context of "The Plum-pudding in Danger"?
The caricature was created in 1805, reflecting the escalating global tensions between Britain and France following the breakdown of the Peace of Amiens. It heavily satirizes the two leaders' imperialistic ambitions and their voracious appetite for territorial expansion.
Who published "The Plum-pudding in Danger" by James Gillray?
The famous hand-colored engraving was published by Hannah Humphrey on February 26, 1805. Her print shop on St. James's Street in London was the premier destination for Gillray's popular satirical works.
Where is the original "The Plum-pudding in Danger" print held today?
Original prints of "The Plum-pudding in Danger" are highly prized by collectors and are held in the collections of major institutions like the British Museum. It remains one of the most famous and frequently reproduced political cartoons of the Georgian era.
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