Best Scriabin

This Étude by Alexander Scriabin, Op. 8 No. 12, is a demanding solo piece for piano composed in 1894. The work showcases significant left-hand arpeggios and octave passages characteristic of Scriabin’s Romantic style. It’s particularly useful for pianists developing technical proficiency with rapid...

This solo piano etude by Alexander Scriabin, Op. 42 No. 5, showcases a significant example of modernist composition from 1903. Written in C-sharp minor, it’s notable for its complex harmonic language and demanding technical challenges reflecting Scriabin's evolving style. The piece is particularly r...

Alexander Scriabin’s Piano Sonata No. 5, Op. 53, a significant work of the late Romantic period, was composed in 1907. The sonata is notable for its complex harmonic language and challenging piano writing. It remains a compelling piece for advanced pianists studying Scriabin's style or exploring int...

Alexander Scriabin’s Prelude in A minor, Op. 11 No. 2 is a significant work within his larger Opus 11 collection. Composed in 1895, it showcases Scriabin's distinctive style – characterized by lyrical melodies and a deeply expressive harmonic language. The piece evokes a contemplative mood often ass...

A solo piano waltz by Alexander Scriabin (c.1903), one of his rare engagements with traditional dance form and notable for the clear Chopin influence of his early style.

This piece by Alexander Scriabin, specifically Étude Op. 2 No. 1 in C-sharp minor, is a foundational work from 1887. It showcases early hallmarks of his romantic style and technical demands for the pianist. The study gained recognition as one of Scriabin’s initial achievements and remains valuable f...

This prelude by Alexander Scriabin, composed around 1890, showcases his emerging style within a distinctly Romantic framework. The piece is notable for its rich harmonies and evocative melodies characteristic of Scriabin’s early works. It remains a valuable study for pianists developing their expres...

Prelude in C major, Op. 11, No. 1, opens Russian composer Alexander Scriabin's set of 24 preludes, composed between 1888 and 1896, notable for its simple, chorale-like piano harmony.

Alexander Scriabin composed this melancholic piano prelude in 1888 as part of his Opus 11 cycle, featuring expressive dissonances and a somber melodic line.

“Poème de l’extase,” choreographed by Léonide Massine in 1947, is a technically demanding and intensely emotional ballet exploring themes of love, loss, and spiritual transcendence through rapid, intricate partnering sequences and dramatic mime.

The fifteenth prelude of Alexander Scriabin's Op. 11 is a short piano composition from the late 19th century, notable for its lyrical beauty and rhythmic syncopation.

Alexander Scriabin composed this short piano piece in 1888, and it serves as the serene, chorale-like opening to his set of twenty-four Preludes, Opus 11.

Scriabin's only completed piano concerto, composed around 1896, reflects his late-Romantic influences before his later harmonic innovations and mystical philosophical turn.

Alexander Scriabin's Etude Op. 65 No. 1, Allegro fantastico, is a late piano study from 1911-12, notable for its focus on ninths.

Alexander Scriabin's Etude Op. 42 No. 2 is an F-sharp minor piano study from 1903, notable as part of a set of eight etudes.

The twentieth prelude of Alexander Scriabin's Op. 11 is a brief, expressive piano miniature composed in the late 19th century, reflecting his strong Romantic-era influences.

Alexander Scriabin's Etude Op. 42 No. 4 is an F-sharp major piano study from 1903, paired by key with the preceding etude in the set.

Alexander Scriabin's Etude Op. 8 No. 10 is a D-flat major piano study from his 1894 Op. 8 set, notable for its Allegro virtuosity.

Alexander Scriabin's Etude Op. 65 No. 3, Molto vivace, is a late piano study from 1911-12, notable for its rapid writing in fifths.

The eighteenth prelude in Alexander Scriabin's Op. 11 is a striking piano piece composed in the 1890s, exemplifying his early exploration of traditional harmonic forms.

The final piece in Alexander Scriabin's Op. 11 cycle, this piano prelude was completed in 1896 and serves as a stormy conclusion to his famous set of twenty-four works.

Alexander Scriabin's Étude Op. 8 No. 7 is an 1894-1895 B-flat minor piano study, notable for its dark Presto tenebroso character.

Composed as part of his Op. 11 set, Alexander Scriabin's sixteenth piano prelude is a dramatic late-Romantic miniature written in Moscow during the late 19th century.

This is the fourteenth prelude in Alexander Scriabin's Op. 11, a notable cycle of twenty-four piano pieces composed in Russia between 1888 and 1896 spanning all musical keys.

This piano prelude is the tenth piece in Alexander Scriabin's Op. 11, a collection of twenty-four works completed in 1896 that systematically explore all major and minor keys.

This piano piece is the eighth of Alexander Scriabin's twenty-four Preludes, Op. 11, a cycle composed in Moscow during the 1890s that established his early reputation.

The sixth prelude from Alexander Scriabin's Op. 11 is a short, melancholic piano piece written in the late 19th century that reflects his early Chopin influence.

Written in 1895 by Alexander Scriabin, this piano prelude belongs to his Opus 11 cycle and is notable for its lyrical voicing and gentle, rolling arpeggios.

Written by Alexander Scriabin in 1888, this piano prelude is the second in his Opus 11 cycle and showcases the composer's early affinity for Chopin's style.