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The Devil to Pay in the Backlands - Picaresque Novel
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The Devil to Pay in the Backlands

description The Devil to Pay in the Backlands Overview

João Guimarães Rosa’s *The Devil to Pay in the Backlands* is a 20th-century Brazilian picaresque novel set in the harsh sertão region. The story follows a rustic gunman and his family as they navigate violence, myth, and social injustice. Its innovative use of language captures the rhythms and spirit of the land. It’s for readers interested in complex narratives exploring themes of survival, faith, and the human condition within a unique literary landscape.

insights Why this score

The Devil to Pay in the Backlands ranks #1 of 244 in the Picaresque Novel ranking, ahead of Posthumous Memoirs of Brás Cubas.

Brazilian modernist landmark with immense critical prestige, linguistic innovation, and major international literary reputation.

help The Devil to Pay in the Backlands FAQ

What is the setting of The Devil to Pay in the Backlands?

The novel is set in the Brazilian backlands, the sertão, with a harsh and myth-rich regional landscape at the center of the plot. It follows a bandit, his family, and the social tensions of rural communities. The setting is essential because geography and violence shape the characters' choices.

Who is the central figure and what themes are explored?

The story centers on Riobaldo, whose memories and ethical struggles drive the narrative structure. The text explores violence, honor, faith, social injustice, and superstition in frontier life. The picaresque and oral-tone style are tied to the sertão world it portrays.

When was The Devil to Pay in the Backlands first published?

The novel is usually cited under the English title Grande Sertão: Veredas and was published in 1956. That date anchors its place in 20th century Latin American literature. It is commonly taught with mid-century modernist prose in Portuguese.

How does this novel compare with other Brazilian works about the sertão?

It is often grouped with Euclides da Cunha's Os Sertões for its focus on Sertão landscapes and social upheaval. Unlike Os Sertões, Guimarães Rosa uses a more mythic and linguistically inventive prose. This makes it a distinct picaresque route rather than a historical report.

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