Diptych: Study of the Human Body from a Drawing by Ingres

The painting was created by the renowned British artist Francis Bacon in 1982. It serves as a classic example of his intense fascination with distorted, unstable anatomy.

Across two canvases, Bacon reworks the disciplined, classical figure drawing associated with the French neoclassical painter Jean-Auguste-Dominique Ingres. He deliberately transforms Ingres's precise lines into a distorted, fleshy study of the body.

The 1982 artwork is an oil painting executed across two separate canvases. Bacon's aggressive use of oil paint creates the visceral, sweeping strokes that define his signature style.

In this context, the term diptych means the painting is split across two adjacent canvases presented side-by-side. Bacon often used this divided format to show fragmented movement or multiple perspectives of the same distorted subject.