Best Francis Bacon

Two Studies for Self-Portrait is a 1977 oil-on-canvas diptych by Irish-British painter Francis Bacon. The work presents the artist's face in two separate panels, a format Bacon used to examine his own image from different perspectives. Bacon produced numerous self-portraits throughout his career, an...

Francis Bacon’s “August 1972” is a diptych executed in oil on canvas. The work reflects intense emotional turmoil stemming from the artist's grief following the suicide of his companion George Dyer. Its distorted figures and unsettling palette capture a profound sense of anguish and isolation, chara...

Francis Bacon's Two Studies for a Self-Portrait (1986), made three years before his death, exemplifies the raw, compressed figurative style that defined his final decade of work.

Francis Bacon created a diptych in 1968 depicting George Dyer, a figure central to his work. The two canvases present a highly stylized and unsettling portrait of Dyer’s face, characterized by distorted forms and intense color. Bacon frequently used this technique to explore themes of alienation and...

Francis Bacon's diptych portrays John Edwards, the artist's close companion and sole heir, as part of a series of portraits of Edwards that Bacon produced during the 1980s.

"Two Studies for a Self-Portrait" is a 1977 oil on canvas painting by the Irish-British artist Francis Bacon. Composed of two connected panels, the artwork features two distinct, distorted depictions of Bacon's own aging face set against flat, stark backgrounds. The work exemplifies Bacon's focus on...

"Two Studies of Isabelle Rawsthorne" is a 1966 oil on canvas diptych by the British painter Francis Bacon. The artwork consists of two adjacent canvases, each presenting a distorted portrait of Isabelle Rawsthorne, a fellow artist, model, and member of Bacon's social circle in Soho. The paintings em...

Francis Bacon's Study of the Human Body – Diptych (1982) presents distorted human figures across two panels, characteristic of his late sustained investigation of flesh, movement, and confined space.

"Two Figures with a Monkey" is a 1973 oil-on-canvas painting by the British artist Francis Bacon. The diptych features distorted human figures accompanied by a dark monkey within a stark, claustrophobic interior setting. Like much of Bacon's work from this period, it explores themes of isolation, ex...

"Two Figures Lying on a Bed with Attendants" is a 1968 oil painting by the British figurative artist Francis Bacon. Rendered as a diptych, the artwork depicts two figures resting on a bed while surrounded by attending figures in a confined interior space. Bacon often used cage-like geometries and vi...

"Two Figures in the Grass" is a 1954 oil painting by the Irish-born British artist Francis Bacon. The artwork features an unsettling, abstracted depiction of intertwined human bodies lying in a dark, grassy setting. It reflects Bacon's mid-career focus on the vulnerability, violence, and raw physica...

Francis Bacon's Two Figures at a Window (1953) depicts two figures in a confined interior, part of his early-1950s exploration of isolated and psychologically charged human presences.

"Study of Nude with Figure in a Mirror" is a 1969 oil painting on canvas created by the Irish-born British artist Francis Bacon. Executed as a diptych, the artwork presents a distorted, deconstructed approach to the traditional nude form. Like much of Bacon's work from this period, the painting empl...

Diptych: Study of the Human Body from a Drawing by Ingres is a 1982 oil painting by British artist Francis Bacon. Across two canvases, Bacon reworks the disciplined figure drawing associated with Jean-Auguste-Dominique Ingres into an unstable, distorted study of the body. The work reflects Bacon's r...

Francis Bacon's diptych portrays Richard Chopping, a British artist best known for his James Bond book cover illustrations and a longtime friend who sat for multiple portraits by Bacon.