Top Results for Marenzio

"Tirsi morir volea" is a five-voice Italian madrigal by Luca Marenzio, setting a pastoral text about the lovers Tirsi and Clori. The word "morire," literally meaning "to die," carries the erotic double meaning commonly found in late Renaissance poetry, and Marenzio uses close musical imitation and t...

"Crudele, acerba, inesorabil morte" is an Italian madrigal by the late Renaissance composer Luca Marenzio. It sets a text by Petrarch addressing death as cruel, bitter, and inexorable, using the close relationship between words and musical gestures associated with Italian madrigal writing. Scored fo...

Marenzio’s “Solo e pensoso” is a madrigal composed for five voices, showcasing a masterful exploration of chromaticism. Written in the late Renaissance style around 1599, it sets Petrarch's sonnet about contemplation and wandering. The piece is notable for its prominent soprano line, often described...

Italian madrigal by Luca Marenzio expressing anguished suffering through expressive polyphony, representative of his skill in setting emotionally intense Petrarchan texts.

Italian madrigal by Luca Marenzio, likely from his First Book of Madrigals (1580), praised for its graceful five-voice texture and expressive depiction of weeping.

Italian madrigal by Luca Marenzio setting the Renaissance theme of departure equated with death, employing his fluent expressive five-voice polyphonic style.

“O fere stelle” is an Italian madrigal by Luca Marenzio, a late Renaissance composer noted for detailed musical responses to poetic language. Written for six voices, it sets a lament addressed to cruel stars, using changing textures, dissonance, and harmonic color to project grief and agitation. The...

Italian madrigal by Luca Marenzio (1553–1599), one of the most influential late Renaissance composers, celebrated for refined text expression and expressive chromatic harmony.

Italian madrigal by Luca Marenzio depicting a pastoral outdoor scene with descriptive word-painting, characteristic of his narrative madrigal style in the late 16th century.

'O voi che sospirate' is a madrigal by Luca Marenzio (1553–1599), whose expressive Italian madrigals were widely printed and influential across Europe.

Italian madrigal by Luca Marenzio praising the beloved in elegant polyphonic writing, typical of his graceful lyrical style found in his books of the 1580s.

"Crudele acerba inessorabil morte" is a late Renaissance madrigal for five voices composed by Luca Marenzio. The piece sets a poem by Petrarch that serves as a lament on cruel and inexorable death, a somber theme common in 16th-century Italian literature. Marenzio utilizes expressive chromatic langu...

"Tirsi morir volea" is an Italian madrigal by Luca Marenzio, published in his Primo libro de madrigali a 5 voci (1584). For five voices, it sets Battista Guarini's erotic pastoral text depicting the shepherd Tirsi and his lover, and became one of Marenzio's most widely circulated works, reprinted ac...

“Zefiro torna” is Luca Marenzio’s madrigal setting of a sonnet by Petrarch, written for five unaccompanied voices. The poem contrasts the return of spring, birdsong, flowers, and gentle weather with the speaker’s continuing grief over Laura. Marenzio translates these images into changing vocal textu...

“Dolorosi martir, fieri tormenti” is an Italian madrigal by Luca Marenzio, a major composer of secular vocal music in the late sixteenth century. The poem dwells on painful suffering and harsh torments associated with love, and Marenzio follows its emotional language with changes in harmony, texture...

“S'io parto, i' moro” is an Italian madrigal by Luca Marenzio whose text equates separation from the beloved with death. Marenzio treats the poem's central contrast between departure and continued presence through expressive melodic gestures, harmonic tension, and coordinated changes among the vocal...

"Non vidi mai dopo notturna pioggia" is an Italian madrigal composed by Luca Marenzio, a prominent composer of the late Renaissance. Marenzio is celebrated for his sophisticated approach to text-painting, a technique demonstrated in this piece through musical devices that mimic the imagery of the po...

O voi che sospirate a miglior note is an Italian Renaissance madrigal by Luca Marenzio for five unaccompanied voices. It sets the twelfth stanza of Francesco Petrarch's double sestina Mia benigna fortuna è 'l viver lieto, in which the speaker addresses fellow sufferers in love and asks Death to end...

Lasso, ch'io ardo is an Italian five-voice madrigal by Luca Marenzio, a leading composer of the late Italian Renaissance. The title can be translated as an anguished declaration of burning passion, and the piece belongs to the expressive tradition of the secular madrigal, in which the music responds...

Scaldava il sol is a madrigal by Luca Marenzio that sets a pastoral text centered on the sun's warmth and imagery from the natural world. The work illustrates the Renaissance interest in matching musical gestures and vocal expression to important words or images in the text, a practice commonly call...

Itene, o miei sospiri is a five-voice Italian madrigal by Carlo Gesualdo, not a work by Luca Marenzio. It appears as the third madrigal in Gesualdo's Fifth Book, published in 1611, and sets a text in which the speaker sends his sighs to a beloved who has caused him pain. The poem moves from a plea f...

Madonna mia gentil, ringrazio Amore is a five-voice Italian madrigal by Luca Marenzio, first published in his First Book of Madrigals for Five Voices in Venice in 1580. The work sets an Italian amorous text and belongs to the late-Renaissance madrigal repertory, in which vocal counterpoint and close...

“Liquide perle Amor” is an Italian madrigal by Luca Marenzio, a composer associated with the late-sixteenth-century madrigal. The text presents tears of love as liquid pearls, giving the music a clear poetic image to articulate through vocal phrasing and changes of texture. It is a five-voice secula...