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Giotto’s “The Kiss of Judas” (c. 1305) is a pivotal fresco within the Scrovegni Chapel in Padua. This Buon Fresco work depicts a profoundly emotional moment – Christ's betrayal – with stark realism for its time. Giotto’s innovative approach to narrative storytelling, anticipating the Renaissance pro...
Giotto’s Lamentation over the Dead Christ, painted circa 1305 in Padua’s Scrovegni Chapel, is a pivotal fresco showcasing early Renaissance innovation. Buon fresco technique creates vibrant color and detail depicting the Virgin Mary and John the Evangelist mourning Jesus after his crucifixion. This...
The Basilica di Sant'Antonio di Padova (Basilica of Saint Anthony of Padua) is a Roman Catholic church in Padua, Italy, begun in 1232 shortly after the death of Saint Anthony and substantially completed by 1310. The basilica combines Romanesque, Gothic, and Byzantine architectural elements in its de...
Gattamelata is Donatello's bronze equestrian statue of the condottiere Erasmo da Narni, completed around 1453 and erected in the Piazza del Santo in Padua in front of the Basilica of Saint Anthony. Commissioned by Erasmo's family after his death in 1443, the monument stands approximately 3.4 metres...
The Abbey of Santa Giustina is a Benedictine monastery complex situated adjacent to the basilica of the same name in Padua, Italy. Originally founded in the 10th century over a paleo-Christian necropolis, the current monumental Renaissance structure was largely built between the 15th and 16th centur...
The Ovetari Chapel frescoes were a Renaissance mural cycle created in the Church of the Eremitani in Padua by Andrea Mantegna and several other artists beginning in the late 1440s. The program depicted episodes from the lives of Saint James and Saint Christopher, and Mantegna’s surviving designs dem...
The Oratorio di San Giorgio in Padua contains a late 14th-century fresco cycle attributed principally to Altichiero da Zevio and executed around 1379 to 1384. Its narrative scenes depict episodes from the lives of Christ and several saints, including George, Catherine of Alexandria, and Lucy. The pa...
Relics associated with Saint Anthony of Padua are kept in the Basilica of Saint Anthony in Padua, Italy, where his tomb remains a major Catholic pilgrimage destination. When his coffin was opened decades after his death in 1231, his tongue was reportedly found preserved while much of the body had de...
The Tongue of Saint Anthony is a Roman Catholic relic associated with Anthony of Padua, a thirteenth-century Franciscan friar renowned as a preacher. When his tomb was opened in 1263, his tongue was reportedly found preserved while much of the rest of his body had decomposed. The relic is displayed...
The Basilica of Saint Anthony of Padua is a Roman Catholic church and pilgrimage site in Padua, Italy, built to house the tomb and relics of Saint Anthony. Construction began shortly after the saint's death in the thirteenth century, and the building combines Romanesque, Gothic, Byzantine-influenced...
Galileo's Vertebra is a preserved bone taken from Galileo Galilei's remains during his reburial in 1737 at the Basilica of Santa Croce in Florence, where a monumental tomb was erected in his honor. Galileo had originally been buried in a modest location in 1642 following his death, and his later tra...
Relics venerated as those of Luke the Evangelist, the author of the Gospel of Luke and the Acts of the Apostles, are preserved in a marble sarcophagus in the Basilica of Santa Giustina in Padua, Italy. The relics are said to have been brought to Padua from the eastern Mediterranean during the mediev...
The jawbone of St. Anthony of Padua is preserved in a reliquary at the Basilica of Saint Anthony in Padua, Italy, alongside his tongue, which was reportedly found incorrupt when his tomb was opened in 1263, thirty-two years after his death. Anthony was born in Lisbon, Portugal, around 1195 and becam...
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