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Fantasia and Fugue on BACH Op. 46 is an organ work composed by Max Reger in 1900, based on the musical motif using the notes B-flat, A, C, B-natural (which in German musical notation spells B-A-C-H). This large-scale composition exemplifies Reger's complex late-Romantic harmonic language and virtuos...
Max Reger's Solo Violin Sonata No. 1 in A minor, Op. 91 No. 1, was published as part of a set of unaccompanied violin sonatas from the early twentieth century. Its contrapuntal writing continues the German solo-violin tradition associated with J. S. Bach while employing Reger's dense chromatic harmo...
Max Reger's Violin Sonata No. 9 in C minor, Op. 139 is a work for violin and piano composed in 1915 and the last of his numbered sonatas for that combination. It presents Reger's late style in a concentrated chamber form, drawing on chromatic harmony, contrapuntal writing, and established German son...
The Sonata No. 2 in D minor for solo violin, Op. 91 No. 2, is a composition by German late-Romantic composer Max Reger, written in 1905. It belongs to a set of three unaccompanied violin sonatas that demonstrate Reger's deep admiration for the polyphonic style of Johann Sebastian Bach. The work is n...
Max Reger's Violin Sonata No. 6 in D minor, Op. 103b No. 1 is a work for violin and piano composed in 1908. It combines the sonata tradition with Reger's characteristic chromatic harmony, contrapuntal detail, and dense interaction between the two instruments. Written for advanced chamber musicians,...
Max Reger's Solo Violin Sonata No. 3 in B minor, Op. 91 No. 3, composed in 1905, is a demanding work for unaccompanied violin. As the final piece in a trilogy of sonatas dedicated to the virtuoso violinist Henri Marteau, it completes a collection directly inspired by Johann Sebastian Bach's unaccomp...
Max Reger's 1908 Violin Sonata No. 7 in A major is notable for a lighter tone compared to his other dense German works, yet it still features his signature rigor and complex counterpoint.
Composed in 1906, this unaccompanied sonata pays homage to Johann Sebastian Bach's solo violin works while expanding late-Romantic harmony and demanding immense virtuosic skill.
Completed in 1904 and dedicated to the violinist Henri Marteau, this three-movement work highlights Max Reger's mature structural command and late-Romantic harmonic language.
The Violin Sonata in D major, Op. 84, is a late-Romantic chamber work for violin and piano composed by German composer Max Reger between 1903 and 1904. The piece is notable for its dense, contrapuntal writing and expansive harmonic language, heavily influenced by the compositional style of Johannes...
Composed in 1903, Max Reger's Violin Sonata No. 4 is notable for its lighter, clearer textures compared to his earlier dense style, reflecting his stylistic maturation.
Max Reger's Violin Sonata No. 4 in C major, Op. 72 is a German violin-piano sonata from his Munich years, later than the early Op. 1 and Op. 3 works.
Max Reger composed this elegiac violin sonata in 1904, notable for its concise structure, clear neo-classical tendencies, and a distinctly lyrical shift away from his earlier density.
Max Reger’s Violin Sonata No. 9 in C minor, Op. 139, is a chamber work for violin and piano and the last of his numbered sonatas for that combination. Composed near the end of Reger’s life, it belongs to his late body of music and reflects his dense harmonic language, contrapuntal writing, and close...
Max Reger's Violin Sonata No. 5 in F-sharp minor, Op. 84 is a work for violin and piano composed in 1905. Dedicated to violinist Henri Marteau, it was first performed by Marteau and Reger in Leipzig on 7 March 1905. The sonata belongs to Reger's dense late-Romantic chamber output, combining contrapu...
Max Reger's Violin Sonata No. 8 in E minor, Op. 122, composed in 1911, is a late work by the German composer for violin and piano. Reger, known for his dense chromatic harmony and admiration for the music of Johannes Brahms, wrote prolifically in chamber and organ genres. This sonata, premiered in O...
Max Reger's Violin Sonata No. 3 in A major, Op. 41 is a German late-Romantic violin-piano sonata, written after his first two youthful sonatas.
Completed in 1904, the fifth violin sonata by Max Reger is noted for its immense technical challenges, thick harmonic textures, and highly expressive late-Romantic German character.
Max Reger's Violin Sonata No. 6 is the D minor Op. 103b No. 1 Kleine Sonate, a 1909 violin-piano work dedicated to Robert Bignell.
Max Reger composed this highly structured violin sonata in 1904, famously described by the demanding German composer as one of his most difficult works for the two instruments.
Max Reger's Violin Sonata No. 7 is the A major Op. 103b No. 2 Kleine Sonate, a 1909 Hausmusik work for violin and piano dedicated to Robert Bignell.
Max Reger's Violin Sonata No. 7 in A major, Op. 103b/2, is a 1909 German work and the companion to the D minor sonata in Op. 103b.
Max Reger's Violin Sonata No. 6 in D minor, Op. 103b/1, is a 1909 German work paired with the A major sonata as part of Op. 103b.
Written by Max Reger in 1899, this violin sonata marks a turning point in his maturity, featuring expansive structures and intricate, heavily chromatic German polyphonic writing.
Max Reger's Violin Sonata No. 2 in D major, Op. 3 is a German violin-piano sonata and one of his first opus-numbered chamber works.
Max Reger's Violin Sonata No. 1 in D minor, Op. 1 is a German violin-piano sonata, notable as the first opus number in his catalogue.
Max Reger composed his second violin sonata in 1893, and the work is notable for its dense chromaticism and extreme demands placed on both the violinist and the piano accompanist.
Published in 1891, this first violin sonata by German composer Max Reger showcases his early dedication to absolute music and his profound affinity for the complex style of Brahms.
