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Spode's Blue Italian is a transfer-printed earthenware pattern introduced by the English pottery company Spode around 1816. The design features a central scene of Italian ruins and landscapes, framed by a border pattern known as the "Chinese Temple" or Imari border. It is one of the longest continuo...
Burleigh is a British pottery brand associated with Middleport Pottery in Burslem, Stoke-on-Trent, an area central to the Staffordshire ceramics industry. Its earthenware tableware is decorated with transfer-printed patterns, particularly blue-and-white floral and pastoral designs. Production is dis...
Sarreguemines refers to the French ceramics industry centered in the Lorraine town of Sarreguemines, where large-scale pottery production began around 1790. Its factories produced earthenware, majolica, transfer-printed tableware, architectural ceramics, and decorative objects for domestic and expor...
Spode was a ceramics manufacturer founded by Josiah Spode in Stoke-on-Trent, England, in the late 18th century, noted for developing blue underglaze transfer printing on earthenware. Blue Tower is a transfer-printed pattern featuring an architectural tower set within a landscape that combines Chines...
William Adams & Sons was a Staffordshire pottery associated with the Adams family of English ceramic manufacturers and with production at Tunstall. Its wares included earthenware decorated by transfer printing, especially blue printed tableware, as well as pieces influenced by jasperware traditions....
James and Ralph Clews operated a pottery at Cobridge in Staffordshire during the early 19th century. Clews wares are especially associated with transfer-printed earthenware, including blue and white patterns portraying landscapes, public buildings, and episodes connected with American history. Much...
Portobello, near Edinburgh, hosted potteries from the late 18th century that produced earthenware and salt-glazed stoneware, declining as a significant industry by the early 20th century.
