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John Mayall - Bare Wires - Blues Album
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John Mayall - Bare Wires

description John Mayall - Bare Wires Overview

John Mayall – Bare Wires (1968) is a Decca Records album by the British blues organizer that incorporated jazz horns and extended improvisation, signaling a departure from the Bluesbreakers' guitar-centric sound.

insights Ranking position

John Mayall - Bare Wires ranks #181 of 403 in the Blues Album ranking, behind John Lee Hooker - Hooker 'n Heat, ahead of Buddy Guy - This Is Buddy Guy.

help John Mayall - Bare Wires FAQ

Why did John Mayall move away from the Bluesbreakers sound on Bare Wires?

Bare Wires represented John Mayall's departure from the guitar-centric Bluesbreakers formula by incorporating jazz horns and extended improvisation. The 1968 Decca Records album signaled Mayall's ambition to move beyond traditional blues structures. This experimental period followed his work with guitarists like Eric Clapton and Peter Green, as he sought new musical directions.

Who played on John Mayall's Bare Wires album?

The 1968 album featured musicians from Mayall's evolving band lineup, incorporating horn players and additional instrumentalists beyond the standard blues band format. Bare Wires captured a transitional period for the British blues organizer, following his classic Bluesbreakers era with Eric Clapton and Peter Green. The expanded instrumentation reflected Mayall's interest in jazz and experimental music.

What record label released Bare Wires by John Mayall?

Bare Wires was released in 1968 on Decca Records, Mayall's label during his most prolific British blues period. The album was part of a series of recordings Mayall made for Decca that documented his evolving approach to blues music. This period included classic albums with various guitarists who would go on to form major rock bands.

How long is the Bare Wires suite on the album?

The title track 'Bare Wires' is an extended composition that takes up most of the album's first side, running over 20 minutes in total. This ambitious suite demonstrated John Mayall's interest in moving beyond standard blues song structures. The piece incorporates multiple sections and extended improvisation, reflecting his jazz influences.

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