Best Arolas
Updated Daily
Julio De Caro’s “El Marne,” created in 1928, is a significant instrumental tango piece. It's notable for its contribution to the development of *guardia nueva* and showcases a distinctive melancholic tone characteristic of early Argentine tango. The composition is particularly appreciated by student...
Derecho Viejo is an instrumental Argentine tango composed by Eduardo Arolas in 1916, celebrated for its complex bandoneon arrangements and marking an era of musical sophistication.
Comme il Faut is a classic Argentine tango composed by Carlos di Sarli in 1927, notable for its elegant melody and di Sarli's distinctive, lush orchestral style.
La Cachila is an Argentine tango composed by Eduardo Arolas in 1913, known for its vibrant rhythm and status as a staple in traditional milonga dance gatherings.
El Africano is an instrumental Argentine tango composed by Anselmo Aieta in 1927, becoming a popular standard recorded by numerous prominent orchestras over the decades.
La Payanca is a traditional Argentine tango composed by Francisco Canaro in 1913, notable for being a highly influential standard in the genre's golden age repertoire.
La Felicia is an early Argentine tango composed by Francisco Canaro in 1916, noted for its historical importance as a defining piece during the formalization of tango music.
La Guitarrita is an Argentine tango composed by Samuel Castriota in 1915, gaining historical significance when Francisco Canaro popularized it through early recordings.
Reliquias Porteñas is an Argentine tango composed by Francisco Canaro in 1924, distinguished by its nostalgic homage to the cultural heritage and traditional life of Buenos Aires.
