Best Early Tango
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Julio De Caro’s “El Marne,” created in 1928, is a significant instrumental tango piece. It's notable for its contribution to the development of *guardia nueva* and showcases a distinctive melancholic tone characteristic of early Argentine tango. The composition is particularly appreciated by student...
Derecho Viejo is an instrumental Argentine tango composed by Eduardo Arolas in 1916, celebrated for its complex bandoneon arrangements and marking an era of musical sophistication.
Comme il Faut is a classic Argentine tango composed by Carlos di Sarli in 1927, notable for its elegant melody and di Sarli's distinctive, lush orchestral style.
Noche de Garufa is a classic 1917 Argentine tango composed by Luis Teisseire, recognized for its influential lyrics written by the legendary poet Pascual Contursi.
La Gayola is a dramatic early 20th-century Argentine tango, notable for its poetic lyrics and enduring popularity in the traditional repertoire of Golden Age orchestras.
El Entrerriano is an Argentine tango composed by Rosendo Mendizábal in 1897, notable for being considered the first tango with a recorded and structured form.
El Monito is a classic instrumental Argentine tango frequently played at milongas, noted for its playful rhythm and traditional Orquesta Típica arrangements.
Don Juan is a classic Argentine tango written by Ernesto Ponzio in 1898, recognized as one of the earliest masterpieces that helped define the genre's musical structure.
La Morocha is an Argentine tango composed by Enrique Saborido in 1905, achieving massive international success as one of the first global tango hits.
La Cachila is an Argentine tango composed by Eduardo Arolas in 1913, known for its vibrant rhythm and status as a staple in traditional milonga dance gatherings.
El Porteñito is an early Argentine tango composed by Ángel Villoldo in 1903, notable for capturing the lively spirit of Buenos Aires and its residents at the time.
El Africano is an instrumental Argentine tango composed by Anselmo Aieta in 1927, becoming a popular standard recorded by numerous prominent orchestras over the decades.
Queco is an Argentine tango composition notable for its place in the traditional repertoire, frequently performed by Golden Age orchestras during the mid-20th century.
El Garrón is an instrumental Argentine tango composed by Julio De Caro in 1928, notable for representing the evolutionary shift of tango into a more complex concert music form.
La Payanca is a traditional Argentine tango composed by Francisco Canaro in 1913, notable for being a highly influential standard in the genre's golden age repertoire.
La Felicia is an early Argentine tango composed by Francisco Canaro in 1916, noted for its historical importance as a defining piece during the formalization of tango music.
La Guitarrita is an Argentine tango composed by Samuel Castriota in 1915, gaining historical significance when Francisco Canaro popularized it through early recordings.
Reliquias Porteñas is an Argentine tango composed by Francisco Canaro in 1924, distinguished by its nostalgic homage to the cultural heritage and traditional life of Buenos Aires.
Tigre Viejo is an Argentine tango composed by Anselmo Aieta in 1926, recognized as a robust rhythmic piece frequently performed by major orchestras during the genre's golden era.
