Best Banksy
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Banksy's Girl with Balloon (2004) is a stencil-based screenprint depicting a girl reaching toward a red heart-shaped balloon, one of the British street artist's most widely recognized and reproduced images.
Banksy's Flower Thrower (2003), also called Love is in the Air, is a screenprint showing a masked protester hurling a bouquet of flowers, originally stencilled on a wall in Jerusalem.
Banksy's Napalm (2004), also known as Can't Beat the Feeling, is a screenprint showing the iconic Vietnam War napalm girl flanked by Mickey Mouse and Ronald McDonald, critiquing American cultural imperialism.
Banksy's Kissing Coppers (2004) is a screenprint based on his Brighton wall mural depicting two male police officers kissing, a commentary on homosexuality and authority that became one of his signature works.
Banksy's Laugh Now (2003) is a screenprint of a chimpanzee wearing a sandwich board reading 'Laugh now, but one day we'll be in charge,' one of his early widely circulated satirical images.
Banksy's Christ with Shopping Bags (2004) is a screenprint depicting Jesus Christ crucified with shopping bags hanging from his outstretched arms, a critique of consumerism and commercialized religion.
Banksy's Happy Choppers (2003) is a screenprint showing military helicopters adorned with decorative bows, juxtaposing symbols of warfare with domestic ornamentation to critique militarism.
Banksy's Sweeping It Under the Carpet (2006) is a screenprint of a maid lifting a curtain to sweep dirt beneath it, alluding to societal concealment of unpleasant truths.
Banksy's Trolley Hunters (2006) is a screenprint depicting prehistoric cave-painting-style figures stalking supermarket shopping trolleys, satirizing modern consumer culture.
Banksy's Flying Copper (2003) is a screenprint depicting a helmeted police officer airborne with fairy wings, part of his recurring motif of subverting authority figures with absurdist elements.
Banksy's Rude Copper (2002) is a screenprint of a police officer making an obscene hand gesture, an early example of the Bristol-based artist's irreverent treatment of law enforcement figures.
Banksy's Turf War (2003) is a screenprint derived from a controversial live art show in which pigs were painted with Warhol-style patterns, provoking debate about animal rights and artistic provocation.
Banksy's Donuts (Chocolate) (2009) is a screenprint produced in connection with his Village Pet Store and Charcoal Grill installation in New York, depicting doughnuts with police-themed sprinkles.
