Best Screenprint

Andy Warhol's Birmingham Race Riot (1964) is a screenprint based on a Charles Moore photograph documenting the 1963 civil rights clashes in Alabama, one of Warhol's rare overtly political works.

Race Riot (1964) is a set of screenprints Warhol based on Charles Moore's news photographs of Birmingham, Alabama police attacking civil rights demonstrators in 1963.

Warhol's Mao (1972) is a series of screenprints based on the official portrait of Chinese Communist leader Mao Zedong, created during the year of Nixon's historic visit to China.

Warhol's Campbell's Soup I (1968) is a portfolio of ten screenprints depicting individual Campbell's soup can varieties, expanding on the iconic 1962 paintings that first made his name.

Andy Warhol's 1967 portfolio of ten screenprints depicting Marilyn Monroe, based on a 1953 publicity photo, is a landmark of Pop Art that elevated celebrity imagery to fine art.

Campbell's Soup II (1969) is Warhol's second screenprint portfolio of ten soup-can images, completing a set of all flavors and reinforcing his exploration of consumer culture and mass production.

LOVE (1966) is a screenprint by Robert Indiana featuring four bold letters in a two-by-two grid that became one of the most reproduced Pop Art images of the 20th century.

Warhol's Flowers (1970) portfolio of ten screenprints, derived from a photograph by Patricia Caulfield, uses vivid, flat color to transform hibiscus blooms into emblems of Pop Art.

Andy Warhol's Ten Lizes (1963) is a large screenprint repeating Elizabeth Taylor's image ten times across the canvas, an early example of his serial repetition technique.

Electric Chair (1971) is a series of screenprints by Warhol depicting the execution chamber at Sing Sing prison, part of his 'Death and Disaster' exploration of American violence.

Banksy's Girl with Balloon (2004) is a stencil-based screenprint depicting a girl reaching toward a red heart-shaped balloon, one of the British street artist's most widely recognized and reproduced images.

Rauschenberg's Signs (1970) is a screenprint collaging photographs of civil rights marches, Vietnam War imagery, and political assassinations into a memorial of the 1960s.

Andy Mouse (1986) is a screenprint by Keith Haring merging Andy Warhol's likeness with Mickey Mouse, created as a tribute to Warhol and Pop Art's relationship with mass culture.

Johns's Flags I (1973) is a screenprint revisiting his iconic American flag motif, first painted in 1954, using bold primary colors to probe the boundary between symbol and image.

Brushstroke (1965) is a screenprint by Roy Lichtenstein paradoxically depicting an Abstract Expressionist paint stroke in his flat, mechanical Ben-Day dot style.

Obama Hope (2008) is a screenprint by Shepard Fairey depicting Barack Obama in red, white, and blue that became one of the most iconic political images of the 21st century.

American Pop artist Ed Ruscha's Standard Station (1966) is a screenprint depicting a diagonal Chevron station, an iconic image of Los Angeles car culture and highway vernacular.

Banksy's Flower Thrower (2003), also called Love is in the Air, is a screenprint showing a masked protester hurling a bouquet of flowers, originally stencilled on a wall in Jerusalem.

Concert poster by Rick Griffin (1969) for the Grateful Dead, featuring his trademark surrealist letterforms and intricate imagery central to the San Francisco psychedelic poster movement.

Icons (1990) is a suite of screenprints by Keith Haring featuring his recurring symbolic figures—radiant baby, barking dog, and dancing man—completed shortly before his death.

Flash – November 22, 1963 (1968) is a Warhol portfolio of eleven screenprints and teletype sheets documenting the assassination of President Kennedy through wire-service imagery.

Sweet Dreams Baby! (1965) is a screenprint by Roy Lichtenstein adapting a comic-book punch scene with his signature Ben-Day dots, exemplifying his appropriation of mass-media imagery.

Warhol's Mick Jagger (1975) is a ten-print screenprint portfolio based on Polaroid photographs of the Rolling Stones frontman, commissioned by Jagger himself.

Series of concert posters by Victor Moscoso (1967) for the Avalon Ballroom in San Francisco, pioneering the use of vibrating complementary color pairs in psychedelic graphic design.

Swingeing London 67 (1968) is a screenprint by British Pop artist Richard Hamilton based on a press photograph of Mick Jagger and art dealer Robert Fraser handcuffed after a 1967 drug raid, commenting on media and celebrity.

Pumpkin (Yellow) (2004) is a screenprint by Japanese artist Yayoi Kusama depicting her iconic polka-dotted pumpkin, a recurring symbol in her work referencing childhood memory and her signature obsessive dot pattern.

Keith Haring's Pop Shop I (1987) is a four-panel screenprint featuring his signature bold figures and symbols, first produced for his New York Pop Shop retail store opened that year to democratize access to his art.

Andy Warhol's Cow (1966) is a screenprint of a bovine head in hot pink and yellow, originally used as wallpaper at his Leo Castelli Gallery show and considered a Pop Art landmark.

Ladies and Gentlemen (1975) is a Warhol screenprint series portraying Black and Latina drag performers and transgender women, one of his most significant works on identity and marginalization.